Organization

Dyrygent

Nicholas Carter

Reżyseria

Reżyseria (+3)

Stefan Herheim

Scenografia

Silke Bauer

Kostiumy

Scenografia (+1)

Uta Heiseke

Dramaturgia

Dramaturgia (+1)

Alexander Meier-Dörzenbach

Jörg Königsdorf

Bas - baryton (+2)

Iain Paterson

Wotan

Baryton (+5)

Thomas Lehman

Donner

Tenor

Attilio Glaser

Froh

Tenor (+5)

Thomas Blondelle

Loge

Baryton (+3)

Jordan Shanahan

Alberich

Tenor (+6)

Ya-Chung Huang

Mime

Bas (+3)

Albert Pesendorfer

Fasolt

Mezzosopran (+5)

Annika Schlicht

Fricka

Sopran (+1)

Flurina Stucki

Freia

Mezzosopran (+2)

Karis Tucker

Flosshilde

Deutsche Oper Berlin

Orchestra

Orchester der Deutschen Oper Berlin

Mezzosopran (+3)

Arianna Manganello

Wellgunde

Sopran

Lea-ann Dunbar

Woglinde

Dyrygent (+1)

Donald Runnicles

Reżyseria światła

Ulrich Niepel

Bas (+1)

Tobias Kehrer

Fafner

Kontralt (+2)

Lauren Decker

Erda

Wideo

Wideo (+2)

Torge Møller

Kontralt (+5)

Lindsay Ammann

Richard Wagner described DAS RHEINGOLD as the “eve” of his stage festival DER RING DES NIBELUNGEN – a term that is certainly no coincidence reminiscent of the prologues of baroque opera. Because here as well as there the gods have the word and create the basic conditions under which the fates of the people will later be decided. And just like the ancient deities in Monteverdi, their Nordic relatives in Wagner are beings in which the driving forces of human existence are embodied. In the almost two and a half hours of RHEINGOLD, all the feelings, desires and thoughts that also determine our own existence appear. Starting with the innocent playfulness of the Rhinemaidens, whose gold was stolen by the Nibelung Alberich, about the unbridled lust for power of this dwarf and the mocking nihilism of the fire god Loge to the attempt of the father of the gods Wotan to create lasting values ​​with his castle Valhalla. And last but not least, there is the gold itself as the silent protagonist.

With its claim to explain the world and its sheer length in time, DER RING DES NIBELUNGEN is the greatest challenge for every opera director. At the Deutsche Oper Berlin, Stefan Herheim set himself the task of translating the ideas of Wagner's tetralogy into the 21st century. Winner of many awards, the Norwegian is one of the most important directors of our time: in his works, he repeatedly makes clear the historical connections and the history of the impact of the respective operas.

Der Ring des Nibelungen – Das Rheingold

Obsada

Wotan

Donner

Froh

Loge

Alberich

Mime

Fasolt

Fricka

Freia

Flosshilde

Wellgunde

Woglinde

Fafner

Erda

Załoga

Reżyseria

Dyrygent

Scenografia

Kostiumy

Reżyseria światła

Dramaturgia

Wideo

Instrumentacja

Producent

Producent

Ensemble

Orkiestra

Współproducent

Zdjęcia

Szczegóły

Kompozytor / -ka

Libretto

Opis

Synopsis produkcji