Organization

Festtage Berlin

Lumières

Olaf Freese

Dramaturgie

Günter Jäckle

Philip Hillers

Chanteur

Soprano

Camilla Nylund

La Maréchale

Basse

Christof Fischesser

Ochs

Mezzo-soprano

Michèle Losier

Octavian

Baryton

Thomas Oliemans

Monsieur de Faninal

Siobhan Stagg

Sophie

Anna Samuil

Marianne Leimetzerin

Ténor

Karl-Michael Ebner

Valzacchi

Anna Kissjudit

Annina

Benjamin Chamandy

Le Commissaire de Police

Florian Hoffmann

Le Majordome de la Maréchale

Spencer Britten

Le Majordome de Faninal

Zilvinas Miskinis

Ein Notar

Magnus Dietrich

L'Aubergiste

Piotr Buszewski

Un Chanteur

Clara Nadeshdin

Une Modiste

Mise en scène

André Heller-Lopes

Direction d'orchestre

Simone Young

Costumes

Arthur Arbesser

Décors

Xenia Hausner

Video

Alexandra Ionis

Dan Karlström

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

allemand

Der Rosenkavalier -  (Le Chevalier à la rose)

Berlin

Allemagne

Staatsoper Unter den Linden

Der Rosenkavalier Strauss,R

Public

Private

Le Chevalier à la rose

anglais

Valide

DER ROSENKAVALIER I Spielzeit 2019/20 I Komödie für Musik in drei Aufzügen (1911) I Musik von Richard Strauss I Text von Hugo von HofmannsthalDER ROSENKAVALI...

Take a look behind the scenes of our production DER ROSENKAVALIER, staged by André Heller!We will give you an insight into how the Viennese play was created ...

Behind the Scenes of DER ROSENKAVALIER | Staatsoper Unter den Linden

Trouble with relatives does not stop at the Viennese aristocracy either: the uncouth Baron Ochs auf Lerchenau interrupts the morning tête-à-tête of his cousin, the field marshal, with her young lover Octavian, in order to arrange her for his wedding plans, which are more driven by pecuniary interests to ask for help. Little does he know that Octavian, destined to be the Rosenkavalier, will eventually fall in love with the bride himself...

After the archaic-dramatic one-act operas »Salome« and »Elektra«, Richard Strauss was looking for a lighter, more cheerful subject for his next opera in the style of Mozart's operatic comedies - a suggestion that Hugo von Hofmannsthal was also happy to accept. With his libretto, he created an artificial rococo Vienna with customs and dialects that were as convincing as they were invented, which Strauss refined musically with anachronistic waltzes. In this fantasy Vienna full of joie de vivre, farces and traditional class boundaries, but also full of depression and morbidity, not only the 18th century is reflected, but even more so the Belle Époque, which is coming to an end. Strauss' score once again offers the full range of orchestral timbres, almost unrestrained indulgence, which culminates in the final trio, which is unsurpassed in terms of musical beauty, but also shows deep breaks. Only a few years before the collapse of the Danube monarchy, »Der Rosenkavalier« became the swan song for an entire era.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Coproducteur