Organization

Festtage Berlin

Ljus designer

Olaf Freese

Dramaturg

Günter Jäckle

Philip Hillers

Sångare

Soprano

Camilla Nylund

Die Feldmarschallin Fürstin Werdenberg

Bass

Christof Fischesser

Der Baron Ochs auf Lerchenau

Mezzo-soprano

Michèle Losier

Octavian

Baritone

Thomas Oliemans

Herr von Faninal

Siobhan Stagg

Sophie

Anna Samuil

Jungfer Marianne Leitmetzerin

Tenor

Karl-Michael Ebner

Valzacchi

Anna Kissjudit

Annina

Benjamin Chamandy

Ein Polizei-Unterkommissarius

Florian Hoffmann

Der Haushofmeister bei der Feldmarschallin

Spencer Britten

Der Haushofmeister bei Faninal

Zilvinas Miskinis

Ein Notar

Magnus Dietrich

Ein Wirt

Piotr Buszewski

Ein Sänger

Clara Nadeshdin

Eine Modistin

Regissör

André Heller-Lopes

Dirigent

Simone Young

Kostym designer

Arthur Arbesser

Scenograf

Xenia Hausner

Video designer

Alexandra Ionis

Dan Karlström

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

tyska

Der Rosenkavalier -  (Rosenkavaljeren)

Berlin

Tyskland

Staatsoper Unter den Linden

Der Rosenkavalier Strauss,R

Public

Private

Rosenkavaljeren

engelska

Approved

DER ROSENKAVALIER I Spielzeit 2019/20 I Komödie für Musik in drei Aufzügen (1911) I Musik von Richard Strauss I Text von Hugo von HofmannsthalDER ROSENKAVALI...

Take a look behind the scenes of our production DER ROSENKAVALIER, staged by André Heller!We will give you an insight into how the Viennese play was created ...

Behind the Scenes of DER ROSENKAVALIER | Staatsoper Unter den Linden

Trouble with relatives does not stop at the Viennese aristocracy either: the uncouth Baron Ochs auf Lerchenau interrupts the morning tête-à-tête of his cousin, the field marshal, with her young lover Octavian, in order to arrange her for his wedding plans, which are more driven by pecuniary interests to ask for help. Little does he know that Octavian, destined to be the Rosenkavalier, will eventually fall in love with the bride himself...

After the archaic-dramatic one-act operas »Salome« and »Elektra«, Richard Strauss was looking for a lighter, more cheerful subject for his next opera in the style of Mozart's operatic comedies - a suggestion that Hugo von Hofmannsthal was also happy to accept. With his libretto, he created an artificial rococo Vienna with customs and dialects that were as convincing as they were invented, which Strauss refined musically with anachronistic waltzes. In this fantasy Vienna full of joie de vivre, farces and traditional class boundaries, but also full of depression and morbidity, not only the 18th century is reflected, but even more so the Belle Époque, which is coming to an end. Strauss' score once again offers the full range of orchestral timbres, almost unrestrained indulgence, which culminates in the final trio, which is unsurpassed in terms of musical beauty, but also shows deep breaks. Only a few years before the collapse of the Danube monarchy, »Der Rosenkavalier« became the swan song for an entire era.

English

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Ensemble

Medproducent