Organization

Festtage Berlin

Reżyseria światła

Olaf Freese

Dramaturgia

Günter Jäckle

Philip Hillers

Śpiewak

Sopran

Camilla Nylund

Marszałkowa, Księżna Werdenberg

Christof Fischesser

Baron Ochs Auf Lerchenau

Mezzosopran

Michèle Losier

Oktawian

Baryton

Thomas Oliemans

Faninal

Siobhan Stagg

Zofia

Anna Samuil

Panna Marianna Leitmetzer

Tenor

Karl-Michael Ebner

Valzacchi

Anna Kissjudit

Annina

Benjamin Chamandy

Komisarz policji

Florian Hoffmann

Majordomus marszałkowej

Spencer Britten

Majordomus Faninala

Zilvinas Miskinis

Ein Notar

Magnus Dietrich

Oberżysta

Piotr Buszewski

Clara Nadeshdin

Modystka

Reżyseria

André Heller-Lopes

Dyrygent

Simone Young

Kostiumy

Arthur Arbesser

Scenografia

Xenia Hausner

Wideo

Alexandra Ionis

Dan Karlström

State Opera Berlin

Orchestra

Staatskapelle Berlin

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Staatsopernchor Berlin

niemiecki

Der Rosenkavalier -  (Kawaler srebrnej róży)

Berlin

Niemcy

Staatsoper Unter den Linden

Der Rosenkavalier Strauss,R

Public

Private

Kawaler srebrnej róży

angielski

Approved

DER ROSENKAVALIER I Spielzeit 2019/20 I Komödie für Musik in drei Aufzügen (1911) I Musik von Richard Strauss I Text von Hugo von HofmannsthalDER ROSENKAVALI...

Trouble with relatives does not stop at the Viennese aristocracy either: the uncouth Baron Ochs auf Lerchenau interrupts the morning tête-à-tête of his cousin, the field marshal, with her young lover Octavian, in order to arrange her for his wedding plans, which are more driven by pecuniary interests to ask for help. Little does he know that Octavian, destined to be the Rosenkavalier, will eventually fall in love with the bride himself...

After the archaic-dramatic one-act operas »Salome« and »Elektra«, Richard Strauss was looking for a lighter, more cheerful subject for his next opera in the style of Mozart's operatic comedies - a suggestion that Hugo von Hofmannsthal was also happy to accept. With his libretto, he created an artificial rococo Vienna with customs and dialects that were as convincing as they were invented, which Strauss refined musically with anachronistic waltzes. In this fantasy Vienna full of joie de vivre, farces and traditional class boundaries, but also full of depression and morbidity, not only the 18th century is reflected, but even more so the Belle Époque, which is coming to an end. Strauss' score once again offers the full range of orchestral timbres, almost unrestrained indulgence, which culminates in the final trio, which is unsurpassed in terms of musical beauty, but also shows deep breaks. Only a few years before the collapse of the Danube monarchy, »Der Rosenkavalier« became the swan song for an entire era.

English

Kawaler srebrnej róży by Strauss, od (2022/2022), W reżyserii André Heller-Lopes,, Dyrygent Simone Young, Staatsoper Unter den Linden, Berlin, Niemcy

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