Name: Der Rosenkavalier
Start: 2022-10-14T00:00:00.000Z
End: 2022-11-20T00:00:00.000Z
Location: Anhaltisches Theater

Organization

Singer

Soprano

Iordanka Derilova

The Marschallin

Mezzo-soprano

Sylvia Rena Ziegler

Octavian

Ania Vegry

Sophie

Cornelia Marschall

Marianne

Tenor

David Ameln

Valzacchi

Rita Kapfhammer

Annina

Stage director

Michael Schachermaier

Conductor

Markus L. Frank

Set designer

Karl Fehringer

Judith Leikauf

Dramaturge

Felix Losert

Costume designer

Jessica Rockstroh

Chorus master

Sebastian Kennerknecht

Bass

Michael Tews

Baron Ochs of Lerchenau

Baritone

Kay Stiefermann

Lord of Faninal

Jeff Martin

Claudius Muth

Ein Notar

Alexander Nikolić

The Marschallin's Major-Domo

Alexander Dubnov

Faninal's Major-Domo

Costa Latsos

An Italian singer

Rafal Bartkowiak

Ein Gelehrter

Gerit Ada Hammer

Drei adelige Waisen

Anne Weinkauf

Yirin Kim

A police inspector

Dorislava Kuntscheva

A vendor of pets

Cezary Rotkiewicz

Dessen Gehilfe

First noble orphan

Second noble orphan

Contralto

Third noble orphan

Chang Hyun Kim

Field Marshal

Christian Most

Adam Fenger

Filippo Deledda

Tomasz Czirnia

Jerzy Dudicz

Stephan Biener

First waiter

Anhaltisches Theater Dessau

Others

Extrachor des Anhaltischen Theaters

Opernchor des Anhaltischen Theaters Dessau

Gearmáinis

Der Rosenkavalier -  (The Knight of the Rose)

Dessau

Germany

Anhaltisches Theater

Großes Haus

Der Rosenkavalier Strauss,R

Public

The Knight of the Rose

Approved

Komödie für Musik in drei AufzügenMusik von Richard Strauss, Text von Hugo von HofmannsthalIn deutscher Sprache mit zusätzlichen Übertiteln»Ist ein Traum, ka...

"It's a dream, can't really be" - this quote from the final trio can also be used as the motto of the opera. Hofmannsthal succeeded in telling a story about leaving youth in a cheerful, melancholic tone. He set the action in a dreamy Vienna of Mozart's time, for which he invented numerous details with great imagination - such as that supposedly noble custom that the groom had to have the bride handed a silver rose by a cavalier. Consequently, Mozart admirer Strauss did not make the historically correct minuet, but the Viennese waltz of the 19th century the musical symbol of this half-fictional, half-nostalgically reconstructed world and created one of his most touching works.

Vienna at the time of Maria Theresa. The Field Marshal Princess Werdenberg and her lover, the young Count Octavian, are disturbed after a night of love by a coarse relative of the Princess, Baron Ochs auf Lerchenau. Before he enters the room uninvited, Octavian can disguise himself as a maid. Ochs asks the field marshal to recommend a nobleman for his marriage to a wealthy young commoner who, according to old custom, can present the bride with a silver rose on the wedding day. While Ochs tries to flirt with the supposed maid, the field marshal names Octavian as Rosenkavalier. When Octavian finally gives the bride Sophie the rose, the two cannot keep their eyes off each other. But Ochs insists on the fulfillment of the marriage contract. In the guise of the maid, Octavian lures him into a tavern in order to put him in a compromising position. The field marshal realizes that she has lost the young man and resigns herself to her fate.

English

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú

Ensemble