Organization

Conductor

Rafał Janiak

Stage director

Tomasz Konina

Costume designer

Joanna Jaśko-Sroka

Choreographer

Monika Myśliwiec

Lighting designer

Dariusz Pawelec

directing cooperation

Zofia Dowjat

Chorus master

Dawid Jarząb

Singer

Soprano

Monika Cichocka

Saffi

Tenor

Krzysztof Marciniak

Sandor Barinkay

Paweł Skałuba

Adam Sobierajski

Łukasz Załęski

Baritone

Andrzej Kostrzewski

Count Peter Homonay

Łukasz Motkowicz

Bass

Grzegorz Szostak

Kalman Zsupan

Przemysław Rezner

Patrycja Krzeszowska

Arsena

Aleksandra Borkiewicz

Bernadetta Grabias

Chip

Agnieszka Makówka

Mezzo-soprano

Mirabella

Olga Maroszek

Marcin Ciechowicz

Conte Carnero

Krzysztof Dyttus

Dawid Kwieciński

Ottokar

Aleksander Zuchowicz

Mariusz Budkowski

Smoke

Teatr Wielki Łódź

Der Zigeunerbaron

Łódź

Poland

Der Zigeunerbaron: Der Zigeunerbaron Strauss II,J

Public

The Gypsy Baron

Approved

BARON CYGAŃSKI is one of the most famous operettas and at the same time the greatest success of its composer. During the premiere, the enthusiasm of the audience was so enormous that almost the entire performance was played as an encore. Strauss composed music full of lightness and grace. Driven by the desire to write a real opera, it was based on extensive vocal parts. The action is set in spectacular scenery, in which the exoticism of Gypsy folklore is intertwined with the splendor of Viennese salons. The director, Tomasz Konina, in order to meet Strauss's ambitions, produced the performance with great panache. He interpreted the libretto in such an original way that the adventures of the characters - apart from excellent entertainment - provide the viewers with many reasons for reflection. The plot was moved from the 18th century to the interwar period, and next to the gypsy rolling stock and a chest full of treasures, there was a provincial circus and cabaret like from a movie by Bob Fosse. "In a crazy, dancing spectacle," wrote the director, "you can feel the atmosphere of danger and the approaching World War II, where each of the characters will have to find their place and define their place."

English

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka