Name: Dialogues des Carmélites
Start: 2010-01-01T00:00:00.000Z
End: 2010-04-16T00:00:00.000Z
Location: Nationaltheater

Organization

Direction d'orchestre

Kent Nagano

Mise en scène

Dmitri Tcherniakov

Décors

Costumes

Elena Zaitseva

Lumières

Gleb Filshtinsky

Direction de choeur

Andrés Máspero

Baryton-basse

Alain Vernhes

La marquis de La Force

Ténor

Bernard Richter

Chevalier de la Force

Soprano

Susan Gritton

Blanche

Contralto

Sylvie Brunet-Grupposo

Mme de Croissy

Hélène Guilmette

Sœur Constance

Mezzo-soprano

Susanne Resmark

Mere Marie

Soile Isokoski

Madame Lidione

Heike Grötzinger

Mére Jeanne

Anaïk Morel

Soeur Mathilde

Kevin Conners

L ánmonier

Ulrich Reß

Premiere Commissaire

Baryton

John Chest

2. Comissaire

Basse

Christian Rieger

L'officier

Levente Molnár

Geôlier

Rüdiger Trebes

Thiérry

Oscar Quezada

Dr Javelinot

Dramaturgie

Andrea Schönhofer

Bayerische Staatsoper

français

Dialogues des Carmélites

Munich

Allemagne

Nationaltheater

Opernstudio der Bayerischen Staatsoper München

Rife with historical references, Poulenc's Dialogues of the Carmelites is a 20th-century opera masterpiece and an insightful exploration of wide-reaching themes: life, death, honor, and religion. In 1789, at the beginning of French Revolution, Blanche de la Force—daughter of a nobleman—senses the rising wave of anti-aristocratic sentiment and decides to become a nun, hoping to find safety in the convent. After their prioress dies, the whole convent—including the new Sister Blanche of the Agony of Christ—take a vow of martyrdom and, when sentenced to death, resign themselves to their fate, singing the moving "Salve Regina" as they march to the guillotine.

Visionary Russian stage director Dmitri Tcherniakov, winner of four Golden Mask awards for Best Director, transposes Poulenc's opera into a Soviet context, with sparse and unadorned scenography and a stellar cast that includes Susan Gritton as Sister Blanche and Bernard Richter as her brother, the Chevalier de la Force. Under the baton of the great Kent Nagano, the Orchestra and Choir of the Bayerische Staatsoper bring out the poetry in Poulenc's opera, with its "subtle and intricate tonal language [that] is by turns hymnal and haunting" (Anthony Tommasini).

This staging went all the way to France's highest civil court: the director Dmitri Tcherniakov reinterpreted the ending, leading Francis Poulenc's heirs to claim that he had distorted its core message. Yet even without the scandal, this staging of the opera is an absolute must see. The Bavarian State Orchestra give an enchanting performance.

Dialogues des Carmelites
Opera in three acts by Francis Poulenc (1899 - 1963)
Libretto by Francis Poulenc after the play by Georges Bernanos
Premiere in Milan, Teatro alla Scala, January 26, 1957

Recording: January 1, 2010 - Bayerische Staatsoper I Munich
Director: Andy Sommer
Duration: 02:32

Dialogues des Carmélites Poulenc

Public

Valide

Brochure de la production

Lectures complémentaires