Name: Dialogues des Carmélites
Start: 2013-02-08T00:00:00.000Z
End: 2013-02-16T00:00:00.000Z
Location: Grand Théâtre de Bordeaux

Organization

Singer

Bass-baritone

Jean-Marie Frémeau

The Marquis de la Force

Soprano

Sophie Marin-Degor

Blanche de la Force

Tenor

Xavier Mas

The cavalier de la Force

Éric Huchet

Chaplain of the convent

Baritone

Frédéric Goncalves

The jailer

Cécile Perrin

Madame Lidoine

Mezzo-soprano

Géraldine Chauvet

Mother Marie of the Incarnation

Contralto

Sylvie Brunet-Grupposo

Madame de Croissy

Hélène Le Corre

Sister Constance of St. Denis

Claire Larcher

Mother Jeanne of the Holy Child Jesus

Marie-Valérie Bry

Sister Mathilde

Bass

Bernard Imbert

An officer

Jean-Philippe Marlière

Thierry

Second commissioner

Conductor

Nader Abbassi

Stage director

Mireille Delunsch

Set designer

Rudy Sabounghi

Costume designer

Lighting designer

Dominique Borrini

Opéra National de Bordeaux

Others

Chœur de l'Opéra National de Bordeaux; Chœur de l'Opéra de Limoges

Orchestra

Orchestre National Bordeaux Aquitaine

Dialogues des Carmélites -  (Dialogues of the Carmelites)

Bordeaux

France

Grand-Théâtre

Grand Foyer

Public

Dialogues of the Carmelites

Approved

Grand Théâtre de Bordeaux

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Mireille Delunsch artiste associée Coproduction Opéra National de Bordeaux et Angers-Nantes Opéra
Nouvelle production

Opéra en 3 actes et 12 tableaux.
Livret de Francis Poulenc d’après le drame de Georges Bernanos, Paroles de Emmet Lavéry
Créé au Teatro alla Scala de Milan le 26 février 1957 et en français à l’Opéra de Paris le 21 juin 1957 à l'occasion du 50ème anniversaire de la mort de Poulenc

Traduisant en musique toute l’intensité dramatique de la pièce de Bernanos qui évoque les derniers jours de religieuses sacrifiées à la Révolution, Poulenc jette un pont entre profane et religieux. Il peint avec un sens poétique rare quelques portraits — Blanche, Mme Lidoine, Mère Marie — qui demeurent parmi les plus poignants du théâtre lyrique. Après La Voix humaine en 2007, la soprano Mireille Delunsch, artiste associée à l’Opéra cette saison, présente là sa deuxième mise en scène. "Sa Jenufa (Janacek) a bouleversé l'Opéra de Bordeaux. Du rire aux larmes, Mireille Delunsch peut tout : chanter, bien sûr, mais aussi penser l'opéra. La soprano revient ainsi dans la maison aquitaine à l'affiche de deux productions très prometteuses, deux nouvelles aventures : la prise de l'imposant rôle-titre de Salomé de Richard Strauss, et la mise en scène des Dialogues des Carmélites de Poulenc."
Les Echos - 11 & 12 janvier 2013

français

Mireille Delunsch associate artist Co-production Opéra National de Bordeaux and Angers-Nantes Opéra
New production

Opera in 3 acts and 12 scenes.
Libretto by Francis Poulenc after the drama by Georges Bernanos, Words by Emmet Lavéry Created
at the Teatro alla Scala in Milan on February 26, 1957 and in French at the Paris Opera on June 21, 1957 on the occasion of the 50th anniversary of Poulenc's death

Translating into music all the dramatic intensity of Bernanos' play, which evokes the last days of nuns sacrificed to the Revolution, Poulenc builds a bridge between profane and religious. He painted with a rare poetic sense some portraits - Blanche, Mme Lidoine, Mère Marie - which remain among the most poignant of the lyrical theater. After La Voix humaine in 2007, the soprano Mireille Delunsch, artist associated with the Opera this season, presents her second staging. " His Jenufa(Janacek) upset the Opéra de Bordeaux. From laughter to tears, Mireille Delunsch can do anything: sing, of course, but also think about opera. The soprano is thus returning to the Aquitaine house with two very promising productions, two new adventures: taking on the imposing title role of Salomé by Richard Strauss, and the staging of Dialogues des Carmélites by Poulenc. "
Les Echos - January 11 & 12, 2013

English

Dialogues of the Carmelites by Poulenc, lau 16 feb 2013, Frá (2013/2013), Leikstýrt af Mireille Delunsch,, Hljómsveitarstjóri Nader Abbassi, Grand Théâtre de Bordeaux, Bordeaux, France

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