Admin

Organization

Śpiewak

Bas - baryton

Nicolas Cavallier

Marquis de la Force

Sopran

Patricia Petibon

Blanche de La Force

Anne-Catherine Gillet

Tenor

Stanislas de Barbeyrac

Chevalier de La Force

Guy de Mey

Le père confesseur du couvent

Baryton

Nabil Suliman

Le geôlier

Thierry

M. Javelinot

Kontralt

Sophie Pondjiclis

Madame de Croissy

Sylvie Brunet-Grupposo

Véronique Gens

Madame Lidoine

Marie-Adeline Henry

Mezzosopran

Sophie Koch

Mère Marie de L'incarnation

Karine Deshayes

Sandrine Piau

Sœur Constance de Saint-Denis

Hendrickje Van Kerckhove

Mireille Capelle

Mère Jeanne de l'Enfant-Jésus

Angélique Noldus

Sœur Mathilde

Yves Saelens

Premier Commissaire

Arnaud Richard

Deuxième Commissaire

Dyrygent

Alain Altinoglu

Reżyseria

Olivier Py

Scenografia

Pierre-André Weitz

Kostiumy

Reżyseria światła

Bertrand Killy

Przygotowanie chóru

Martino Faggiani

La Monnaie/De Munt

Théâtre des Champs-Elysées

Others

La Monnaie Chorus

Orchestra

La Monnaie Symphony Orchestra

francuski

Dialogues des Carmélites -  (Dialogy Karmelitek)

Bruksela

Belgia

La Monnaie

Grande Salle

Private

Public

Dialogy Karmelitek

niderlandzki

Approved

Dialogues des Carmélites Poulenc

Du 8 au 23 décembre 2017 à la Monnaie-- https://www.lamonnaie.be/fr/program/426-dialogues-des-carmelitesDISTRIBUTIONDirection musicale ALAIN ALTINOGLUMise en...

The Carmelite nuns in the Reign of Terror - Poulenc's opera uses the character of Blanche de la Force to bring forth all the passion, drama, and emotions tha...

TRAILER | DIALOGUES DES CARMÉLITES. La Monnaie De Munt

‘We are not afraid: we imagine we are afraid. Fear is a delusion sent by the devil.’ In his screenplay Dialogues des Carmélites, later adapted for the stage, Georges Bernanos tells the tragic story of the nuns of a Carmelite convent who, during the Terror following the French Revolution, live in hope and fear under the constant threat of the guillotine. Francis Poulenc’s mystical opera is an outlier in his œuvre: its dramatic main theme and traditional tonal language show the influence of Musorgsky, Monteverdi, Debussy, and Verdi. Alain Altinoglu’s musical interpretation and Olivier Py’s pared-down, ascetic directing, acclaimed in Paris in 2013, make of this work a profound reflection on death, fear, and the will to live. ‘We do not die each for ourselves, but one for the other, or even one in place of the other, who knows?’

English

Dialogy Karmelitek by Poulenc, od (2017/2017), W reżyserii Olivier Py,, Dyrygent Alain Altinoglu, La Monnaie, Bruksela, Belgia

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