Name: Die Fledermaus
Start: 2021-12-31T00:00:00.000Z
End: 2022-01-05T00:00:00.000Z
Location: Wiener Staatsoper

Organization

Libretto

Richard Genée

Karl Schlechter

Singer

Tenor

Robert Bartneck

Doctor Blind

Andreas Schager

Gabriel of Eisenstein

Soprano

Rachel Willis-Sørensen

Rosalinde

Baritone

Wolfgang Bankl

Frank

Mezzo-soprano

Christina Bock

Prince Orlofsky

Clemens Unterreiner

Doctor Falke

Vera-Lotte Boecker

Adele

Spoken

Peter Simonischek

Frosch

Stage director

Otto Schenk

Conductor

Bertrand de Billy

Costume designer

Milena Canonero

Set designer

Günther Schneider-Siemssen

Choreographer

Gerlinde Dill

Hiroshi Amako

Alfred

Johanna Wallroth

Wiener Staatsoper

Orchestra

Orchester der Wiener Staatsoper

Others

Chor der Wiener Staatsoper

alemana

Die Fledermaus -  (The Bat)

Vienna

Austria

Public

The Bat

ingelesa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Bass

Countertenor

Alto

Child vocalist

Continuo

Silent

Die Fledermaus Strauss II,J

Interview Bertrand de Billy über "Die Fledermaus" | Wiener Staatsoper

Rarely has a work struck Vienna with such immediacy as Johann Strauss’ »Die Fledermaus«. After its premiere in 1874, the piece was frequently performed, in 1894 court opera honours were bestowed upon it, after which it has remained in the repertoire almost continuously. Ever since 1900, it is nearly always performed on New Year's Eve. With a happy lightheartedness, the most famous of all operettas takes a suggestive look at erotic and social disguise beneath the facade of the 19th-century bourgeoisie – dancing and political and social commentaries included. The always prominent »surprise guest« in the second act of the State Opera’s New Year’s Eve performance is also steeped in tradition: this year, it is soprano Asmik Grigorian, who will make her debut in September in the »Madama Butterfly« premiere.

English

Selten hat ein Werk mit solcher Unmittelbarkeit in Wien eingeschlagen wie Johann Strauß’ »Die Fledermaus«. Von der Uraufführung 1874 an brachte man das Stück in höchster Spieldichte, 1894 kam es zu Hofopern-Ehren, um seither nahezu durchgehend, und seit 1900 fast immer zu Silvester, im Repertoire zu bleiben. Die berühmteste aller Operetten nähert sich mit glücklicher und leichter Hand Spielarten der erotischen und sozialen Verstellung und bringt die bürgerlichen Fassaden zum Tanzen, politische und gesellschaftliche Kommentare inklusive.

Regisseur Otto Schenk, der am 31. Dezember 2011 die Produktion neu einstudierte, sieht in der Fledermaus zwei Motoren: die Sentimentalität, das Sich-Hingeben einer fast hypochondrisch übertriebenen Stimmung und die Blamage, die durch eine geradezu satanische Unterhaltungssucht aller Beteiligten hervorgerufen wird.

Deutsch

The Bat by Strauss II, lr. 01 urt. 2022, Noiztik (2021/2022), Zuzendaria Otto Schenk,, Zuzendaria Bertrand de Billy, Wiener Staatsoper, Vienna, Austria

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