Name: Die Fledermaus
Start: 2023-12-31T00:00:00.000Z
End: 2024-01-06T00:00:00.000Z
Location: Wiener Staatsoper

Organization

Wiener Staatsoper

Conductor

Simone Young

Stage director

Otto Schenk

Set designer

Günther Schneider-Siemssen

Costume designer

Milena Canonero

Choreographer

Gerlinde Dill

Singer

Tenor

Johannes Martin Kränzle

Gabriel of Eisenstein

Soprano

Camilla Nylund

Rosalinde

Baritone

Wolfgang Bankl

Frank

Mezzo-soprano

Patricia Nolz

Prince Orlofsky

Hiroshi Amako

Alfred

Martin Häßler

Doctor Falke

Norbert Ernst

Doctor Blind

Regula Mühlemann

Adele

Ileana Tonca

Orchestra

Orchester der Wiener Staatsoper

Others

Chor der Wiener Staatsoper

Spoken

Johannes Silberschneider

Frosch

Maria Nazarova

Ilia Staple

alemana

Die Fledermaus -  (The Bat)

Vienna

Austria

Die Fledermaus Strauss II,J

Public

Private

The Bat

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Bass

Alto

Child vocalist

Continuo

Silent

Rarely has a work hit Vienna with such immediacy as Johann Strauss' »Die Fledermaus«. From its premiere in 1874, the piece was performed in the highest density, in 1894 it was honored by the Court Opera, and since then it has remained in the repertoire almost continuously, and since 1900 almost always on New Year's Eve. The most famous of all operettas approaches erotic and social dissimulation with a happy and light hand and makes the bourgeois facades dance, including political and social commentaries.

Director Otto Schenk, who rehearsed the production on December 31, 2011, sees two engines in Fledermaus: sentimentality, the indulgence in an almost hypochondriacally exaggerated mood and the embarrassment caused by an almost satanic entertainment addiction on the part of all those involved.

English

Selten hat ein Werk mit solcher Unmittelbarkeit in Wien eingeschlagen wie Johann Strauß’ »Die Fledermaus«. Von der Uraufführung 1874 an brachte man das Stück in höchster Spieldichte, 1894 kam es zu Hofopern-Ehren, um seither nahezu durchgehend, und seit 1900 fast immer zu Silvester, im Repertoire zu bleiben. Die berühmteste aller Operetten nähert sich mit glücklicher und leichter Hand Spielarten der erotischen und sozialen Verstellung und bringt die bürgerlichen Fassaden zum Tanzen, politische und gesellschaftliche Kommentare inklusive.

Regisseur Otto Schenk, der am 31. Dezember 2011 die Produktion neu einstudierte, sieht in der Fledermaus zwei Motoren: die Sentimentalität, das Sich-Hingeben einer fast hypochondrisch übertriebenen Stimmung und die Blamage, die durch eine geradezu satanische Unterhaltungssucht aller Beteiligten hervorgerufen wird.

Deutsch

The Bat by Strauss II, ig. 31 abe. 2023, Noiztik (2023/2024), Zuzendaria Otto Schenk,, Zuzendaria Simone Young, Wiener Staatsoper, Vienna, Austria

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