Name: Die Fledermaus
Start: 2023-09-27T00:00:00.000Z
End: 2023-12-28T00:00:00.000Z
Location: Baron Fon Derviz Mansion (St Petersburg Chamber Opera)

Organization

Dirigent

Maxim Valkov

Alexander Goikhman

Regissör

Yuri Alexandrov

Scenograf

Vyacheslav Okunev

Ljus designer

Darya Modzalevskaya

Natalya Chernikova

Tatyana Karpacheva

Körledare

Igor Pototskiy

Pianist

Nina Zhukovskaya

Sångare

Tenor

Vsevolod Kalmykov

Gabriel von Eisenstein

Sergey Aleshchenko

Soprano

Elena Tikhonova

Rosalinde

Sofia Nekrasova

Tatiana Kalchenko

Alina Nikolaeva

Adele

Karolina Shapovalova

Svetlana Arzumanova

Vasily Remizov

Alfred

Vladislav Mazankin

Baritone

Denis Akhmetshin

Dr Falke

Dmitry Udi

Dr Blind

Leonty Salienski

Mezzo-soprano

Artem Savchenko

Prinz Orlofsky

Vladimir Tselebrovsky

Victor Aleshkov

Frank

Evgeniy Baev

Efim Rastorguyev

Prisoners

Anton Morozov

Thunderer

Valery Caula

Forester

Jailer

Yuri Borshchev

St Petersburg Chamber Opera

Koreograf

Irina Sharonova

Alexandra Lyapich

ryska

Die Fledermaus -  (Läderlappen)

Sankt Petersburg

Ryssland

Baron Fon Derviz Mansion (St Petersburg Chamber Opera)

Die Fledermaus Strauss II

Public

Läderlappen

Approved

Оперетта Летучая мышь в театре Гранд оперы СПб от самого начала и до финала пропитана атмосферой пьянящей радости, романтики, вдохновения и легкости. Здесь нет тяжелых размышлений героев, нет остросоциальных тем или сатиры, только феерия, только праздник.

Постановка «Летучая мышь» стала лауреатом премии «Золотой софит» и давно полюбилась зрителям. Работу художественного руководителя Юрия Александрова дополняют прекрасные голоса оперных певцов, красивые декорации и камерная атмосфера театра. Бурлящая радость, поиск скрытых смыслов, интересные герои и красивая музыка, все это будет ждать вас на сцене театра. Погрузитесь в эту атмосферу танцев, праздника и любви к жизни, приходите на спектакль!

русский

“Pearl of the Viennese operetta crown”, “An elegant bagatelle”, “Operetta of all operettas” – these are the titles of the play The Bat (Die Fledermaus). It remains one of the most unsurpassed creations of Johann Strauss Jr., full of dance rhythms of the Viennese waltz, polka, gallop and czardas, preserving eternal youth. The operetta is engaged with heady atmosphere, it is impossible not to “fall in love at first sight” with it.

The story on the plot of which the libretto was written actually took place in Paris. At the carnival, the husband did not recognize his wife in the costume of a “bat” and fell in love with a “stranger.” The funny story delighted the 22-year-old composer, and he, without hesitation, begun creating music.

There was no place for acute social themes or political satire, often found in French examples of the genre in this production. This is not a story about a punished vice, Strauss wrote about the ability to live and love recklessly, inspired and festively.

The Bat (Die Fledermaus) seems to be very light at first glance, but at the same time, beautiful music requires luxurious operatic voices, a good orchestra, and characters with dramatic performing skills. The St. Petersburg Opera demonstrates all these qualities in this play.

The elegant production of the St. Petersburg Opera has already touches the hearts of many spectators. It has a unique flair of old Vienna and seething joy, luxurious decorations and costumes, as well as unexpected meanings, without which the production of People’s Artist of Russia Yuri Alexandrov is impossible. The action of the operetta was moved from the prosperous year of 1874 to the crumbling Austria-Hungary just before the First World War...

English

“维也纳轻歌剧皇冠上的明珠”、“优雅的小事”、“所有轻歌剧中的轻歌剧”——这些都是《蝙蝠》(Die Fledermaus) 的标题。它仍然是小约翰·施特劳斯最无与伦比的创作之一，充满了维也纳华尔兹、波尔卡、驰骋和查尔达斯的舞蹈节奏，保留了永恒的青春。轻歌剧气氛令人陶醉，不可能不“一见钟情”。

剧本的故事情节实际上发生在巴黎。狂欢节上，丈夫认不出身着“蝙蝠”装束的妻子，爱上了一个“陌生人”。这个有趣的故事让这位 22 岁的作曲家很高兴，他毫不犹豫地开始创作音乐。

没有尖锐的社会主题或政治讽刺的地方，通常可以在该作品的法国风格的例子中找到。这不是一个关于受惩罚的恶习的故事，施特劳斯写的是关于鲁莽、鼓舞和喜庆地生活和爱的能力。

蝙蝠（Die Fledermaus）乍一看似乎很轻，但同时，优美的音乐需要华丽的歌剧声音、优秀的管弦乐队和具有戏剧表演技巧的角色。圣彼得堡歌剧院在这部剧中展示了所有这些品质。

圣彼得堡歌剧院的优雅制作已经触动了许多观众的心。它具有古老维也纳的独特气质和沸腾的欢乐，奢华的装饰和服饰，以及意想不到的意义，没有这些，俄罗斯人民艺术家尤里·亚历山德罗夫的作品是不可能的。轻歌剧的动作从繁荣的 1874 年转移到第一次世界大战前摇摇欲坠的奥匈帝国……

中文

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