Organization

Admin

Oper Leipzig

Costume designer

Costume designer (+1)

Daria Kornysheva

Set designer

Ulrike Reinhard

Tenor (+5)

Jeffery Krueger

Gabriel of Eisenstein

Tenor (+1)

Adam Sanchez

Alfred

Mezzo-soprano (+4)

Nora Steuerwald

Prince Orlofsky

Bass-baritone (+5)

Michael Raschle

Frank

Baritone (+2)

Ivo Kovrigar

Doctor Falke

Tenor (+3)

Andreas Rainer

Doctor Blind

Musical Comedy Choir (MUK)

Orchester der Musikalischen Komödie

Chorusmaster

Chorusmaster (+2)

Mathias Drechsler

Soprano (+1)

Friederike Meinke

Rosalinde

Dramaturge

Dramaturge (+1)

Marlene Hahn

Soprano (+2)

Da-yung Cho

Stage director

Stage director (+5)

Peter Lund

Musikalische Komödie

Marie-Luise Dreßen

Orchestra

Chorus

Conductor

Michael Nündel

Soprano (+3)

Olivia Delauré

Adele

Actor (+1)

Thorsten Wolf

Frosch

Mirjam Neururer

Conductor (+1)

Tobias Engeli

Translator (+3)

Thomas Pigor

»Die Fledermaus« is considered the operetta of all, full of waltz, polka, who-with-who, champagne, confusion, disguise and fraternization. How refreshing that Gabriel von Eisenstein, who wants to have fun with young women before he goes to prison, has his wife Rosalinde do the same for her: with her old singing teacher Alfred. Only a tenor can be so bold! Adele, the chambermaid, is striving for something higher, but first as Miss Olga in her lady's dress to the ball. And so all the lovable characters who are not so particular about the truth arrive at Prince Orlofsky's ball. He is young, rich, bored - then a retaliatory action by Dr. Falcon just right. He still has a score to settle with Eisenstein: “The bat takes revenge! « Orlofsky's ball becomes a stage. And in the end, everyone meets again in prison. Here, Herr von Eisenstein finds out who his familiar brother, the Chevalier Chargrin, really is and what the doppelganger in his dressing gown is all about. Eisenstein's acquittal is tossed with champagne, because after all it's his fault, isn't it?

Físeáin