Organization

Admin

Oper Leipzig

Kostiumy

Kostiumy (+1)

Daria Kornysheva

Scenografia

Ulrike Reinhard

Tenor (+5)

Jeffery Krueger

Eisenstein

Tenor (+1)

Adam Sanchez

Alfred

Mezzosopran (+4)

Nora Steuerwald

Książę Orłowski

Bas - baryton (+5)

Michael Raschle

Frank

Baryton (+2)

Ivo Kovrigar

Doktor Falke

Tenor (+3)

Andreas Rainer

Blind

Chor der Musikalischen Komödie

Orchester der Musikalischen Komödie

Przygotowanie chóru

Przygotowanie chóru (+2)

Mathias Drechsler

Sopran (+1)

Friederike Meinke

Rozalinda

Dramaturgia

Dramaturgia (+1)

Marlene Hahn

Sopran (+2)

Da-yung Cho

Reżyseria

Reżyseria (+5)

Peter Lund

Musikalische Komödie

Marie-Luise Dreßen

Orchestra

Chorus

Dyrygent

Michael Nündel

Sopran (+3)

Olivia Delauré

Adela

Aktor (+1)

Thorsten Wolf

Frosch

Mirjam Neururer

Dyrygent (+1)

Tobias Engeli

Tłumaczenie (+3)

Thomas Pigor

»Die Fledermaus« is considered the operetta of all, full of waltz, polka, who-with-who, champagne, confusion, disguise and fraternization. How refreshing that Gabriel von Eisenstein, who wants to have fun with young women before he goes to prison, has his wife Rosalinde do the same for her: with her old singing teacher Alfred. Only a tenor can be so bold! Adele, the chambermaid, is striving for something higher, but first as Miss Olga in her lady's dress to the ball. And so all the lovable characters who are not so particular about the truth arrive at Prince Orlofsky's ball. He is young, rich, bored - then a retaliatory action by Dr. Falcon just right. He still has a score to settle with Eisenstein: “The bat takes revenge! « Orlofsky's ball becomes a stage. And in the end, everyone meets again in prison. Here, Herr von Eisenstein finds out who his familiar brother, the Chevalier Chargrin, really is and what the doppelganger in his dressing gown is all about. Eisenstein's acquittal is tossed with champagne, because after all it's his fault, isn't it?

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