Organization

Seefestspiele Mörbisch

Śpiewak

Baryton

Harald Serafin

Mirko Zeta

Alfred Sramek

Sopran

Margarita De Arellano

Hanna Glawari

Ursula Pfitzner

Dagmar Schellenberger

Markus Werba

Daniło Daniłowicz

Mathias Hausmann

Elisabeth Starzinger

Walentyna

Tenor

Marwan Shamiyeh

Kamil de Rosillon

Daniel Serafin

Wicehrabia Cascada

Alexander Klinger

Raoul St. Brioche

Peter Branoff

Kromow

Mezzosopran

Johanna Hohloch

Olga

Bernd Ander

Bogdanowicz

Doris Nitsch

Sylviana

Peter Lindner

Priczic

Mirjana Irosch

Praskowia

Spoken

Ernst Konarek

Niegus

Dyrygent

Rudolf Bibl

Reżyseria

Helmuth Lohner

Kostiumy

Rolf Langenfass

Scenografia

Die lustige Witwe -  (Wesoła wdówka)

Mörbisch

Austria

Seebühne Mörbisch

"The Merry Widow" was first performed in Vienna in 1905, and Helmuth Lohner staged it in Mörbisch to mark the 100th STAGE ANNIVERSARY. It is the most performed stage work of this genre. A wealth of melodic ideas was cleverly instrumented in this stage work: "I'm going to the Maxim", the "Viljalied", "Yes, the study of women is difficult" and "Lips are silent".
The Mörbischer "Widow" is conducted by Rudolf Bibl, the choreography comes from Giorgio Madia. Traditionally, Rolf Langenfass is responsible for the stage design and costumes. Harald Serafin (Baron Mirko Zeta), Margarita de Arello (Hanna Glawari) and Mathias Hausmann (Graf Danilo Danilowitsch) play the leading roles. "The Merry Widow", premiered in 1905 at the Theater an der Wien, is probably one of Franz Lehar's most successful operettas. The story of the extremely wealthy Hanna Glawari not only inspired Europe, America also succumbed to the "Merry Widow" fever through the abundance of musical ideas, the Parisian piquancy with Balkan influences and the colorful bouquet of waltzes, polka, colo, polonaise and mazurka. And last but not least, the melodies "I'm going to Maxim"

Die lustige Witwe Lehár

Wesoła wdówka

Approved

Miejsca

Terminy

Kalendarz