Organization

Regissör

Regissör (+4)

Johannes Erath

Scenograf

Scenograf (+1)

Kaspar Glarner

Kostym designer

Scenograf (+2)

Herbert Murauer

Ljus designer

Ljus designer (+1)

Joachim Klein

Video designer

Bibi Abel

Körledare

Körledare (+2)

Tilman Michael

Dramaturg

Zsolt Horpácsy

Bas-baryton (+4)

Nicholas Brownlee

Hans Sachs

Baryton (+6)

Michael Nagy

Sixtus Beckmesser

Sopran

Magdalena Hinterdobler

Tenor (+1)

AJ Glueckert

Walther von Stolzing

Tenor (+2)

Michael Porter

David

Samuel Levine

Kunz Vogelgesang

Bas (+3)

Barnaby Rea

Konrad Nachtigall

Jonathan Abernethy

Balthasar Zorn

Tenor (+4)

Hans-Jürgen Lazar

Ulrich Eißlinger

Andrew Bidlack

Augustin Moser

Baryton (+5)

Sebastian Geyer

Hermann Ortel

Bas (+4)

Anthony Robin Schneider

Hans Schwarz

Bas-baryton (+3)

Božidar Smiljanić

Hans Foltz

Sopran (+4)

Maren Favela

Lehrbuben

Mezzosopran (+3)

Chiara Bäuml

Helene Feldbauer

Mezzosopran (+1)

Guénaelle Mörth

Tianji Lin

Carlos Andrés Cárdenas

Donát Havár

Istvan Balotá

Kiduck Kwon

Johannes Lehner

Bas (+5)

Georg Zeppenfeld

Veit Pogner

Oper Frankfurt

Orchestra

Frankfurter Opern- und Museumsorchester

Opernhaus

Chorus

Choir of the Frankfurt Opera

Dirigent

Dirigent (+1)

Sebastian Weigle

Andreas Bauer Kanabas

Thomas Faulkner

Fritz Kothner

Baryton (+4)

Franz Mayer

Ein Nachtwächter

Claudia Mahnke

Magdalena

Dirigent (+4)

Takeshi Moriuchi

Tobias Schabel

Mezzosopran (+5)

Annika Schlicht

Baryton (+2)

Domen Križaj

Kihwan Sim

Christina Bock

The competition takes place on St. John's Day. Everyone knows exactly how to sing properly. Everyone knows better.

Die Meistersinger was supposed to be a satyr play . However, the comedy »from a light hand« developed into a score that is one of the longest and most complex in opera literature and repeatedly causes heated debates. In contrast to the templates, which emanated from an aristocratic worldview, Wagner composed Die Meistersinger , a bourgeois opera and parody of medieval minnesingers.

Around midsummer, in the annual singing competition, goldsmith Veit Pogner offers his daughter Eva's hand as a prize. The shoemaker Hans Sachs, the town clerk Sixtus Beckmesser and a cheeky newcomer, the noble Walther von Stolzing, fight for her. Everyone does it with their own means: Walther has to overcome a number of hurdles before he can marry Eva and be accepted into the circle of masters. Between Sachs and Beckmesser it only seems to be about who is allowed to marry the bride. Two fundamentally different ways of life collide here. But the two complement each other in their different views. They are inseparable: one cannot exist without the other.

The emergence of the Meistersinger leads through two decades, across Europe. Wagner wrote the first drafts in Bohemia, the prose drafts came about in Vienna and he continued to shape his characters in a Parisian hotel room. So some of Wagner's German masters were born abroad. The composer had in mind an interplay of comedy and tragedy. But in the dreamy summer night, the game is suddenly dominated by madness and ends in a senseless mass brawl.

A "strange" St. John's Day.

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