Organization

Chanteur

Soprano

Astrid Kessler

Sieglinde

Baryton

Noel Bouley

Wotan

Stéphanie Müther

Brünnhilde

Basse

Denis Velev

Hunding

Christine Groeneveld

Ortlinde

Mezzo-soprano

Natascha Valentin

Waltraute

Contralto

Maria Hiefinger

Schwertleite

Sooyeon Lee

Helmwige

Edvina Valjevcic

Rossweisse

Mise en scène

Peter Konwitschny

Direction d'orchestre

Gabriel Feltz

Costumes

Frank Philipp Schlößmann

Décors

Dramaturgie

Heribert Germeshausen

Laura Knoll

Director of Studies

Thomas Hannig

Production Manager

Fabian Schäfer

Assistant Director

Dominik Kastl

Soufflage

Adriana Naldoni

Kai Rüütel

Fricka

Ténor

Daniel Frank

Siegmund

Stage Management

Ulas Nagler

Alexander Becker

Supervisor

Mark Bednarz

Costume Assistant

Nicola Gördes

Viola Zimmermann

Vera Fischer

Lumières

Florian Franzen

Bettina Bartz

Tanja Kuhn

Gerhilde

Davia Bouley

Siegrune

Grimgerde

Theater Dortmund

Orchestra

Dortmunder Philharmoniker

Others

Extras Theater Dortmund

allemand

Die Walküre -  (La Walkyrie)

Dortmund

Allemagne

Opernhaus Dortmund

Die Walküre Wagner,Richard

Public

La Walkyrie

Valide

It's about a pair of siblings who have lost each other and find each other again. It's about incestuous love, adultery, and affairs. It's about power and intrigue. But it's also about love, trust and the search for happiness. And it's about a ring that means the future of the world. Richard Wagner's Die Walküre begins like a simple triangular story in which two people fall in love and a third suffers as a result. But in the course of the opera the deeper dimension of this entanglement becomes apparent and the perspective expands beyond the purely human. It is nothing less than part of the global epic The Ring of the Nibelung , which Richard Wagner created with the Valkyrie .

The first day of the Bühnenfestspiel is one of Wagner's most popular operas and has also fascinated opera goers from the start: those who were not open to all of the composer's achievements. The reason for this is the combination of Wagner's musical innovations such as large declamatory passages with proven style elements from the older numbered operas. So it happened that, for example, the “Valkyries ride” could become one of the most internationally famous pieces of music.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble