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Theater Dortmund

Orchestra

Dortmunder Philharmoniker

Dirección orquestal

Dirección orquestal (+1)

Gabriel Feltz

Dirección de escena

Dirección de escena (+1)

Peter Konwitschny

Escenografía

Escenografía (+1)

Frank Philipp Schlößmann

Diseño de vestuario

Iluminación

Florian Franzen

Asistente de dirección escénica

Asistente de dirección escénica (+2)

Clara Schamp

Soprano (+4)

Stéphanie Müther

Brünnhilde

Tenor

Viktor Antipenko

Siegmund

Mezzosoprano (+2)

Kai Rüütel

Fricka

Bajo (+2)

Denis Velev

Hunding

Soprano (+2)

Tanja Kuhn

Gerhilde

Natascha Valentin

Waltraute

Mezzosoprano (+3)

Maria Hiefinger

Schwertleite

Soprano

Sooyeon Lee

Helmwige

Mezzosoprano (+5)

Ruth Katharina Peeck

Siegrune

Grimgerde

Edvina Valjevcic

Rossweisse

Dramaturgo

Dramaturgo (+3)

Bettina Bartz

Soprano (+3)

Barbara Senator

Sieglinde

Opernhaus Dortmund

Vera Fischer

Ortlinde

Bajobarítono (+7)

Tomasz Konieczny

Wotan

Extras

Extras Theater Dortmund

Regidor

Regidor (+1)

Ulas Nagler

Dirección de escena (+2)

Alexander Becker

Assistante costumes

Diseño de vestuario (+2)

Nina Albrecht-Paffendorf

Repetidor(a)

Pianista (+6)

Karsten Scholz

Dirección orquestal (+2)

Thomas Hannig

Andrea Alessandrini

It's about a pair of siblings who have lost each other and find each other again. It is about incestuous love, adultery and infidelities. It's about power and intrigue. But it is also about love, trust and the search for happiness. And it's about a ring that means the future of the world. Richard Wagner's Die Walküre begins like a simple love triangle in which two people fall in love with each other and a third suffers as a result. But in the course of the opera, the deeper dimension of this entanglement becomes apparent and the perspective expands beyond the purely human. It is nothing less than a part of the world-spanning epic Der Ring des Nibelungen, which Richard Wagner created with Die Walküre.

The First Day of the Stage Festival is one of Wagner's most popular operas and from the very beginning fascinated opera-goers who were not open to all of the composer's achievements. The reason for this is the combination of Wagner's musical innovations such as large declamatory passages with proven stylistic elements from the older number operas. This is how the "Ride of the Valkyries", for example, has become one of the most internationally famous pieces of music ever.

Duration of the performance Act 1: approx. 1:10 hrs – Intermission I: approx. 40 mins – Act 2: approx. 1:35 hrs – Intermission II: approx. 50 mins – Act 3: approx. 1:15 hrs (total duration approx. 5:30 hrs)

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