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Theater Dortmund

Orchestra

Dortmunder Philharmoniker

Dyrygent

Dyrygent (+1)

Gabriel Feltz

Reżyseria

Reżyseria (+1)

Peter Konwitschny

Scenografia

Scenografia (+1)

Frank Philipp Schlößmann

Kostiumy

Reżyseria światła

Florian Franzen

Asystent Reżysera Sceny

Asystent Reżysera Sceny (+2)

Clara Schamp

Sopran (+4)

Stéphanie Müther

Brunnhilde

Tenor

Viktor Antipenko

Siegmund

Mezzosopran (+2)

Kai Rüütel

Fricka

Bas (+2)

Denis Velev

Hunding

Sopran (+2)

Tanja Kuhn

Gerhilde

Natascha Valentin

Waltraute

Mezzosopran (+3)

Maria Hiefinger

Schwertleite

Sopran

Sooyeon Lee

Helmwige

Mezzosopran (+5)

Ruth Katharina Peeck

Siegrune

Grimgerde

Edvina Valjevcic

Rossweisse

Dramaturgia

Dramaturgia (+3)

Bettina Bartz

Sopran (+3)

Barbara Senator

Sieglinde

Opernhaus Dortmund

Vera Fischer

Ortlinde

Bas - baryton (+7)

Tomasz Konieczny

Wotan

Extras

Extras Theater Dortmund

Menedżer sceny

Menedżer sceny (+1)

Ulas Nagler

Reżyseria (+2)

Alexander Becker

Asystent Projektanta Kostiumów

Kostiumy (+2)

Nina Albrecht-Paffendorf

Korepetytor /- ka

Pianista (+6)

Karsten Scholz

Dyrygent (+2)

Thomas Hannig

Andrea Alessandrini

It's about a pair of siblings who have lost each other and find each other again. It is about incestuous love, adultery and infidelities. It's about power and intrigue. But it is also about love, trust and the search for happiness. And it's about a ring that means the future of the world. Richard Wagner's Die Walküre begins like a simple love triangle in which two people fall in love with each other and a third suffers as a result. But in the course of the opera, the deeper dimension of this entanglement becomes apparent and the perspective expands beyond the purely human. It is nothing less than a part of the world-spanning epic Der Ring des Nibelungen, which Richard Wagner created with Die Walküre.

The First Day of the Stage Festival is one of Wagner's most popular operas and from the very beginning fascinated opera-goers who were not open to all of the composer's achievements. The reason for this is the combination of Wagner's musical innovations such as large declamatory passages with proven stylistic elements from the older number operas. This is how the "Ride of the Valkyries", for example, has become one of the most internationally famous pieces of music ever.

Duration of the performance Act 1: approx. 1:10 hrs – Intermission I: approx. 40 mins – Act 2: approx. 1:35 hrs – Intermission II: approx. 50 mins – Act 3: approx. 1:15 hrs (total duration approx. 5:30 hrs)

niemiecki