Name: Die Zauberflöte
Start: 2016-08-13T00:00:00.000Z
End: 2017-05-21T00:00:00.000Z
Location: Primorsky Stage of the Mariinsky Theatre

Organization

Singer

Baritone

Dmitry Nelasov

Papageno

Soprano

Guzel Sharipova

First lady

Elena Tretyakova

Second lady

Contralto

Irina Kolodyazhnaya

Third lady

Bass

Aleksandr Diyanov

First priest

Tenor

First armored man

Conductor

Anton Torbeev

Valery Gergiev

Stage director

Alain Maratrat

Set designer

Pierre-Alain Bertola

Jean-Guy Lecat

Costume designer

Mireille Dessingy

Lighting designer

Danielle Milovich

Pianist

Andrey Annenkov

Chorus master

Larisa Shveikovskaya

Anna Pipia

Translator

Maria Levina

Assistant Stage Director

Susanna Tsiryuk

Yevgeny Plekhanov

Sarastro

Alexei Kostyuk

Tamino

Aigul Khismatullina

The Queen of the Night

Alina Mikhailik

Pamina

Alena Diyanova

Papagena

Ilya Astafurov

Monostastos

Anastasia Kikot

Laura Bustamante

Tatiana Makarchuk

Vsevolod Marilov

Vadim Soloviev

Second armored man

Speaker

Oleg Ivanov

Evgeny Mizin

Gennady Akhmedov

Natalya Zakharchenko

Pavel Smelkov

Sergei Pleshivtsev

Primorsky Stage of the Mariinsky Theatre

ruština

Die Zauberflöte -  (The Magic Flute)

Vladivostok

Russia

Big Hall

Die Zauberflöte

Public

The Magic Flute

Approved

Die Zauberflöte (1791) is the last and favourite Mozart’s creation for a musical theatre. Written as a singspiel, i.e. a piece with singing, in which vocal numbers are alternated with spoken dialogues, it was meant for the Freihaus-Theater auf der Wieden and was commissioned by the director of that theatre and the composer’s old friend Emanuel Schikaneder. The premiere was a tremendous success and after being performed at its first stage a record number of times (223), the opera started its triumphant march across musical theatres of Europe, and then — the world.

What is the secret of Die Zauberflöte’ s never fading popularity? This wonderful and kind fairy-tale is intended for both children and adults. Its elevated philosophy sings the ideals of equality and fraternity, the faith in moral improvement and the final triumph of love, light and reason, although the happy reunion of two couples of lovers was not without involvement of magic forces. At the same time, fairy-tale characters acquire features of real people, performed with humour, screwed observations and vivid strokes, depicting everyday life.

The enduring success of performances by renowned French director, who has also staged Prokofiev’s opera The Love for Three Oranges at the Primorsky Stage, is described as the “Maratrat effect”: his works are invariably liked by both the audience and the artists. Die Zauberflöte is an incredibly cheerful, dynamic and ingenious performance. One of its principal merits is interactivity: the performers communicate with the spectators and keep them engaged in the production throughout the whole evening. Among other reasons, making it ideal for introducing kids to opera, is the fact that it is sung in Russian. The children will surely appreciate funny tricks of the bird-catcher Papageno and the charming sound of bells ringing, the picturesque scene of appearance of the Queen of the Night with its famous aria and colourful dolls of the oriental characters. “I want my performance to become a special occasion for the audience” — that is the director’s artistic creed. All these, combined with Mozart’s virtuoso music, guarantee both a good mood and a lot of pleasurable moments!

Nadezhda Koulygina

English

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