Organization

Direction d'orchestre

Markus Lukas Frank

Mise en scène

Mise en scène (+1)

Johannes Weigand

Lumières

Miriam Damm

Costumes

Judith Fischer

Chorégraphie

Livret (+5)

Stefano Giannetti

Direction de choeur

Direction de choeur (+2)

Sebastian Kennerknecht

Basse (+5)

Claudius Muth

L'orateur

Premier prêtre

Deuxème homme armé

Soprano

Marie-Pierre Roy

La Reine de la Nuit

Soprano (+2)

Ania Vegry

Pamina

Sarah Cossaboon

Première dame

Chanteur (+4)

Roman Weltzien

Papageno

Soprano (+1)

Natasha Sallès

Papagena

Ténor (+4)

David Ameln

Monostatos

Anhaltisches Theater Dessau

Basse (+3)

Michael Tews

Zarastro

Décors

Décors (+2)

Hermann Feuchter

Baryton (+2)

Chang Hyun Kim

Deuxième prêtre

Yirin Kim

Deuxième dame

Mezzo-soprano (+4)

Rita Kapfhammer

Troisième dame

Ténor

Costa Latsos

Tamino

Elisa Gogou

Dramaturge

Felix Losert

Basse (+1)

Dongwon Kang

Premier homme armé

Orchestra

Anhaltische Philharmonie Dessau

Chorus

Opernchor des Anhaltischen Theaters Dessau

Ténor (+3)

Jeffrey Nardone

Mezzo-soprano (+2)

Sandra Maxheimer

Helena Köhne

Anhaltisches Theater

Tamino accepts the order from the Queen of the Night to free her kidnapped daughter Pamina. As a thank you, Tamino is to marry Pamina, with whose picture he has fallen in love. Accompanied by the whimsical bird catcher Papageno, who is also looking for a bride, Tamino makes his way to Prince Sarastro, the kidnapper. Tamino soon found his beloved and is loved again. But Sarastro thwarts the escape. However, the prince turns out to be not the violent villain described by the queen, but a wise ruler. He predicts that Pamina and Tamino are made for each other. Instead of punishing the two for attempting to escape, Sarastro puts trials on them. They should make sacrifices and survive dangers of death. Pass the exams Sarastro would like to include her in the circle of his initiates. The Queen of the Night sees herself betrayed and demands that Pamina kill Sarastro. But Pamina has now also gained confidence in Sarastro. Tamino faces the trials with his companion Papageno. He does not receive the highest orders, but his bride Papagena does. Tamino and Pamina, on the other hand, achieve their goal and become a couple.

The Magic Flute has been captivating people of all ages for 231 years . This musical theater fairy tale about the victory of love and wisdom over intrigue and power thinking appeals to audiences across the ages. You can get over the logical breaks or the very time-bound characterizations of the characters that the theater entrepreneur Emanuel Schikaneder put on paper. All the more so since the music lifts the magic fairy tale out of its time: Mozart unfolds the unbelievable richness of his imagination in order to let the fairy tale characters become human beings in song.