Admin

Opera Nova

Stage director

Matthias Remus

Set designer

Set designer (+1)

Stephan Dietrich

Conductor

Conductor (+1)

Dirk Vermeulen

Soprano (+2)

Victoria Vatutina

Pamina

Soprano (+1)

Julia Pruszak-Kowalewska

Magdalena Czerwińska

Tenor (+3)

Szymon Rona

Tamino

Tenor (+1)

Łukasz Załęski

Tenor (+2)

Krzysztof Zimny

Bass (+3)

Jacek Greszta

Sarastro

Łukasz Jakubczak

Joanna Moskowicz

The Queen of the Night

Soprano

Aleksandra Olczyk

Baritone (+2)

Sławomir Kowalewski

Papageno

Bartłomiej Kłos

Łukasz Seremet

Monostastos

Bass (+5)

Jakub Zarębski

Katarzyna Nowak-Stańczyk

First lady

Marta Ustyniak-Babińska

Hanna Okońska

Mezzo-soprano (+2)

Aleksandra Gudzio

Second lady

Mezzo-soprano (+1)

Aleksandra Pliszka

Simona Skrebutėnaitė

Małgorzata Ratajczak

Third lady

Mezzo-soprano (+3)

Dorota Sobczak

Bass-baritone (+3)

Lukasz Goliński

Speaker

Bass-baritone (+4)

Janusz Żak

First armored man

Bass

Michał Błoński

Second armored man

Adam Łyczbiński

Orchestra

Opera Nova Orchestra

Chorus

Opera Nova Chorus

Chorusmaster

Chorusmaster (+2)

Wierzchoń Henryk

Nazarii Kachala

Child vocalist (+1)

Aleksandra Zając

First spirit

Aneta Nurcek

Katarzyna Wardak

Natalia Bukowska

Oliwia Filipczak

Second spirit

Patrycja Konfederak

Paulina Grabarz-Szmajda

Weronika Kober

Third spirit

Weronika Wojtkowska

Zofia Skowron

Darina Gapitch

Magdalena Polkowska

Papagena

Dorota Nowak

The Dumbbell, KV 620.

The action of the poetic and at the same time emotional libretto with a deep humanistic message takes place in the scenographic space of a large library: the seat of Knowledge, Power, Beauty. It is here that the characters learn the truth about themselves, their ability to sacrifice, overcome life's difficulties, fear of others... 

Esoteric and childish, sublime and facetious, learned and ludic ... The Magic Flute draws on medieval legends, fairy tales, fascinations with Egyptian mythology. Arias, duets, trios, quartets, quintets, choirs and group scenes intertwine constantly. Each of these moments has its own distinct character, mood, type of orchestra, melody. The libretto is a fairy tale, a morality tale, a comedy, a mystery.

Grianghraif