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Opera Nova w Bydgoszczy

Regissör

Matthias Remus

Scenograf

Scenograf (+1)

Stephan Dietrich

Dirigent

Dirigent (+1)

Dirk Vermeulen

Sopran (+2)

Victoria Vatutina

Pamina

Sopran (+1)

Julia Pruszak-Kowalewska

Magdalena Czerwińska

Tenor (+3)

Szymon Rona

Tamino

Tenor (+1)

Łukasz Załęski

Tenor (+2)

Krzysztof Zimny

Bas (+3)

Jacek Greszta

Sarastro

Łukasz Jakubczak

Joanna Moskowicz

Königin der Nacht

Sopran

Aleksandra Olczyk

Baryton (+2)

Sławomir Kowalewski

Papageno

Bartłomiej Kłos

Łukasz Seremet

Monostatos

Bas (+5)

Jakub Zarębski

Katarzyna Nowak-Stańczyk

Erste Dame

Marta Ustyniak-Babińska

Hanna Okońska

Mezzosopran (+2)

Aleksandra Gudzio

Zweite Dame

Mezzosopran (+1)

Aleksandra Pliszka

Simona Skrebutėnaitė

Małgorzata Ratajczak

Dritte Dame

Mezzosopran (+3)

Dorota Sobczak

Bas-baryton (+3)

Lukasz Goliński

Sprecher

Bas-baryton (+4)

Janusz Żak

Erster Geharnischter

Michał Błoński

Zweiter Geharnischter

Adam Łyczbiński

Orchestra

Opera Nova Orchestra

Chorus

Opera Nova Chorus

Körledare

Körledare (+2)

Wierzchoń Henryk

Nazarii Kachala

Barnsångare (+1)

Aleksandra Zając

Erster Knabe

Aneta Nurcek

Katarzyna Wardak

Natalia Bukowska

Oliwia Filipczak

Zweiter Knabe

Patrycja Konfederak

Paulina Grabarz-Szmajda

Weronika Kober

Dritter Knabe

Weronika Wojtkowska

Zofia Skowron

Opera Nova

Darina Gapitch

Magdalena Polkowska

Papagena

Dorota Nowak

The Dumbbell, KV 620.

The action of the poetic and at the same time emotional libretto with a deep humanistic message takes place in the scenographic space of a large library: the seat of Knowledge, Power, Beauty. It is here that the characters learn the truth about themselves, their ability to sacrifice, overcome life's difficulties, fear of others... 

Esoteric and childish, sublime and facetious, learned and ludic ... The Magic Flute draws on medieval legends, fairy tales, fascinations with Egyptian mythology. Arias, duets, trios, quartets, quintets, choirs and group scenes intertwine constantly. Each of these moments has its own distinct character, mood, type of orchestra, melody. The libretto is a fairy tale, a morality tale, a comedy, a mystery.

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