Admin

Opera Nova w Bydgoszczy

Mise en scène

Matthias Remus

Décors

Décors (+1)

Stephan Dietrich

Direction d'orchestre

Direction d'orchestre (+1)

Dirk Vermeulen

Soprano (+2)

Victoria Vatutina

Pamina

Soprano (+1)

Julia Pruszak-Kowalewska

Magdalena Czerwińska

Ténor (+3)

Szymon Rona

Tamino

Ténor (+1)

Łukasz Załęski

Ténor (+2)

Krzysztof Zimny

Basse (+3)

Jacek Greszta

Zarastro

Łukasz Jakubczak

Joanna Moskowicz

La Reine de la Nuit

Soprano

Aleksandra Olczyk

Baryton (+2)

Sławomir Kowalewski

Papageno

Bartłomiej Kłos

Łukasz Seremet

Monostatos

Basse (+5)

Jakub Zarębski

Katarzyna Nowak-Stańczyk

Première dame

Marta Ustyniak-Babińska

Hanna Okońska

Mezzo-soprano (+2)

Aleksandra Gudzio

Deuxième dame

Mezzo-soprano (+1)

Aleksandra Pliszka

Simona Skrebutėnaitė

Małgorzata Ratajczak

Troisième dame

Mezzo-soprano (+3)

Dorota Sobczak

Baryton-basse (+3)

Lukasz Goliński

L'orateur

Baryton-basse (+4)

Janusz Żak

Premier homme armé

Basse

Michał Błoński

Deuxème homme armé

Adam Łyczbiński

Orchestra

Opera Nova Orchestra

Chorus

Opera Nova Chorus

Direction de choeur

Direction de choeur (+2)

Wierzchoń Henryk

Nazarii Kachala

Voix d'enfant (+1)

Aleksandra Zając

Premier enfant

Aneta Nurcek

Katarzyna Wardak

Natalia Bukowska

Oliwia Filipczak

Deuxième enfant

Patrycja Konfederak

Paulina Grabarz-Szmajda

Weronika Kober

Troisième enfant

Weronika Wojtkowska

Zofia Skowron

Opera Nova

Darina Gapitch

Magdalena Polkowska

Papagena

Dorota Nowak

The Dumbbell, KV 620.

The action of the poetic and at the same time emotional libretto with a deep humanistic message takes place in the scenographic space of a large library: the seat of Knowledge, Power, Beauty. It is here that the characters learn the truth about themselves, their ability to sacrifice, overcome life's difficulties, fear of others... 

Esoteric and childish, sublime and facetious, learned and ludic ... The Magic Flute draws on medieval legends, fairy tales, fascinations with Egyptian mythology. Arias, duets, trios, quartets, quintets, choirs and group scenes intertwine constantly. Each of these moments has its own distinct character, mood, type of orchestra, melody. The libretto is a fairy tale, a morality tale, a comedy, a mystery.

Vidéos