Organization

Mise en scène

Vasily Barkhatov

Costumes

Kirsten Dephoff

Lumières

Olaf Winter

Direction de choeur

Tilman Michael

Dramaturgie

Zsolt Horpácsy

Chanteur

Soprano

Asmik Grigorian

Nastasya

Iain MacNeil

Fürst

Claudia Mahnke

Die Fürstin

Baryton

Frederic Jost

Koudma

Basse

Mamirov

Mezzo-soprano

Zanda Švēde

Nenila

Baryton-basse

Božidar Smiljanić

Ivan Zhuran

Dietrich Volle

Foka

Nombulelo Yende

Polya

Ténor

Jonathan Abernethy

Balakin

Pilgoo Kang

Potap

Kudaibergen Abildin

Lukash

Direction d'orchestre

Valentin Uryupin

Décors

Christian Schmidt

Video

Christian Borchers

Chorégraphie

Gal Feffermann

Prince Nikita

Princess Yevpraxia

Alexander Mikhailov

Prince Yuri

Magnús Baldvinsson

Kitchiga

Michael McCown

Payísy

Serhii Moskalchuk

Elena Manistina

Oper Frankfurt

Orchestra

Frankfurter Opern- und Museumsorchester

Others

Choir of the Frankfurt Opera

russe

Die Zauberin

Francfort-sur-le-Main

Allemagne

Opernhaus

Public

L'Enchanteresse

allemand

anglais

Valide

Die Zauberin: Charodeyka Pyotr Ilyich Tchaikovsky

Im Trailer zu dieser neuen Inszenierung erzählt Regisseur Vasily Barkathov, wann er das erste Mal mit dieser sehr selten gespielte Tschaikowski-Oper konfront...

The power of love triumphs over the love of power: a utopia that fails.

Tchaikovsky's seventh opera develops like a thriller in four parts. It combines a drama of love and jealousy with political intrigues and religious entanglements, showing the powerlessness of the powerful as well as the opportunism of the people. The plot revolves around an outsider. The widow Nastasia, called Kuma, runs an inn outside the city of Nizhny Novgorod, where all social classes meet. She fascinates the guests with her openness and her desire for freedom. Mamyrov, a scheming cleric and adviser to the prince, accuses Kuma of sorcery and charges her with immorality. He gets the lord to inspect Kuma's guests, but she manages to win the lord over and ridicule his advisor. While Mamyrov stirs up the princess's jealousy, the prince tries to force Kuma to love. But she has fallen in love with Juri, the son of the royal couple. So Kuma becomes the plaything of a dysfunctional ruling family. In the end she is poisoned by the hysterical princess. The jealous prince in turn kills his son and goes insane.

Charodeyka - literally translated "The Enchanting One" - was written between Eugene Onegin and the Queen of Spades and is rarely performed to this day, although Tchaikovsky himself considered it his best work. The score shines and shows a progressive music dramatist with different faces: according to the dramatic action, he chooses different musical means act for act. Passionate characters, sensitive melodies, brilliant orchestration and dramatic ensemble scenes confirm his unconditional love for "his" sorceress.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble