Organization

Reżyseria

Vasily Barkhatov

Kostiumy

Kirsten Dephoff

Reżyseria światła

Olaf Winter

Przygotowanie chóru

Tilman Michael

Dramaturgia

Zsolt Horpácsy

Śpiewak

Sopran

Asmik Grigorian

Nastasya

Iain MacNeil

Fürst

Claudia Mahnke

Die Fürstin

Baryton

Frederic Jost

Kudma

Mamirov

Mezzosopran

Zanda Švēde

Nenila

Bas - baryton

Božidar Smiljanić

Ivan Zhuran

Dietrich Volle

Foka

Nombulelo Yende

Polya

Tenor

Jonathan Abernethy

Balakin

Pilgoo Kang

Potap

Kudaibergen Abildin

Lukash

Dyrygent

Valentin Uryupin

Scenografia

Christian Schmidt

Wideo

Christian Borchers

Choreografia

Gal Feffermann

Prince Nikita

Princess Yevpraxia

Alexander Mikhailov

Prince Yuri

Magnús Baldvinsson

Kichiga

Michael McCown

Payísy

Serhii Moskalchuk

Elena Manistina

Oper Frankfurt

Orchestra

Frankfurter Opern- und Museumsorchester

Others

Choir of the Frankfurt Opera

rosyjski

Die Zauberin

Frankfurt nad Menem

Niemcy

Opernhaus

Public

Czarodziejka

niemiecki

angielski

Approved

Die Zauberin: Charodeyka Pyotr Ilyich Tchaikovsky

Im Trailer zu dieser neuen Inszenierung erzählt Regisseur Vasily Barkathov, wann er das erste Mal mit dieser sehr selten gespielte Tschaikowski-Oper konfront...

The power of love triumphs over the love of power: a utopia that fails.

Tchaikovsky's seventh opera develops like a thriller in four parts. It combines a drama of love and jealousy with political intrigues and religious entanglements, showing the powerlessness of the powerful as well as the opportunism of the people. The plot revolves around an outsider. The widow Nastasia, called Kuma, runs an inn outside the city of Nizhny Novgorod, where all social classes meet. She fascinates the guests with her openness and her desire for freedom. Mamyrov, a scheming cleric and adviser to the prince, accuses Kuma of sorcery and charges her with immorality. He gets the lord to inspect Kuma's guests, but she manages to win the lord over and ridicule his advisor. While Mamyrov stirs up the princess's jealousy, the prince tries to force Kuma to love. But she has fallen in love with Juri, the son of the royal couple. So Kuma becomes the plaything of a dysfunctional ruling family. In the end she is poisoned by the hysterical princess. The jealous prince in turn kills his son and goes insane.

Charodeyka - literally translated "The Enchanting One" - was written between Eugene Onegin and the Queen of Spades and is rarely performed to this day, although Tchaikovsky himself considered it his best work. The score shines and shows a progressive music dramatist with different faces: according to the dramatic action, he chooses different musical means act for act. Passionate characters, sensitive melodies, brilliant orchestration and dramatic ensemble scenes confirm his unconditional love for "his" sorceress.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble