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National Theatre Prague

Baryton (+4)

Svatopluk Sem

Gianni Schicchi

Sopran (+1)

Doubravka Součková

Lauretta

Mezzosopran (+3)

Jana Sýkorová

Zita

Tenor (+4)

Daniel Matoušek

Rinuccio

Tenor (+2)

Martin Šrejma

Gherardo

Jana Šrejma Kačírková

Nella

Bas (+3)

Jiří Sulženko

Simone

Baryton (+6)

Jiří Hájek

Marco

Mezzosopran (+4)

Katerina Hebelková

Ciesca

Bas - baryton (+2)

Daniel Klánský

Pinellino

Scenografia

Reżyseria (+2)

David Radok

Reżyseria

Kostiumy

Kostiumy (+1)

Zuzana Ježková

Reżyseria światła

Přemysl Janda

Dramaturgia

Ondřej Hučín

Bas (+2)

Zdeněk Plech

Betto di Signa

Baryton (+2)

Miguelangelo Cavalcanti

Mistrz Spineloccio

Baryton (+1)

Jan Líkař

Guccio

Baryton (+3)

Martin Matoušek

Messer Amantio di Nicolao

Národní divadlo (National Theatre)

Tenor

Stefan Margita

Don Buoso

Dyrygent

Dyrygent (+2)

Giancarlo Andretta

Orchestra

Ópera Checa de Praga

The historical figure of Gianni Schicchi had already intrigued Dante Alighieri, who even mentioned the fraudster in the famous epic poem Divina commedia: the medieval Florentine knight reputedly forged the will of the wealthy Buoso Donati, for which he was condemned to Hell. Yet Gianni Schicchi only became generally known due to Giacomo Puccini and his comic opera. The plot starts with the relatives of the late Don Buoso gathered to learn of their respective inheritances. There are rumours that he left the family in the lurch and bequeathed the largest part of his immense fortune to a monastery. Bypassing Don Buoso’s will thus suggests itself as a natural solution …  Is everything really as funny as Puccini indicates by his humorous, rollicking and brilliant music, teeming with his characteristic melodies, including the famed aria “O mio babbino caro”? What kind of people are the relatives of the deceased man?

And what was Buoso Donati like? Are Puccini’s characters just colourful figures from medieval Florence, or are we much more similar to them than we may think? And didn’t Dante overlook someone else in Hell, someone having a hand in the story? Such questions inspired the distinguished Czech stage director David Radok to create a brand-new, darkly comic opera, set at the time preceding Puccini’s Gianni Schicchi and depicting the possible circumstances of Don Buoso’s death … He and the composer Jan Kučera have written for the National Theatre in Prague a piece whose story and music derive from Puccini’s renowned one-acter, while shifting the narrative into a rather different light.

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