Organization

Libretto

Joseph Méry

Camille du Locle

Śpiewak

Alex Esposito

Filip II

Tenor

Robert Watson

Don Carlos

Sopran

Nicole Car

Elżbieta de Valois

Mezzosopran

Yulia Matochkina

Księżna Eboli

Albert Pesendorfer

Wielki Iknwizytor

Andrew Harris

Mnich

Gideon Poppe

Posłowie flandryjscy

Hrabia Lerma

Valeriia Savinskaia

Głos z nieba

Sam Park

Padraic Rowan

Tyler Zimmerman

Philipp Jekal

Byung Gil Kim

Reżyseria

Marco Arturo Marelli

Dyrygent

James Gaffigan

Reżyseria światła

Kostiumy

Dagmar Niefind-Marelli

Scenografia

Przygotowanie chóru

Jeremy Bines

Deutsche Oper Berlin

włoski

Don Carlo (Italian version) -  (Don Carlos)

Berlin

Niemcy

Don Carlo Verdi

Public

niemiecki

angielski

Approved

It is common knowledge that Giuseppe Verdi, by nature a critical man, not only found much to disapprove of in the trends of his day but also subjected his own work to a continuous process of editing and revision.


Verdi began writing the opera in 1865, and twenty years were to pass before the premiere in Milan of the four-act version that we are most familiar with today. The composer not only wrestled with the two languages of the piece, each with its distinctive form of expression. He was also at pains to achieve the best possible result by repeatedly cutting, reducing and rearranging. The opera, extensive sections of which are faithful to Schiller’s play, went through no less than seven versions.

In none of the opera’s characters does the light of reason sparkle. Prisoners of their situations, prisoners of their own reins of control and of their own making, above all prisoners of a deadly, ever-looming spiritual power greater even than secular hegemony… Verdi captures the essential helplessness of human beings entangled in this network of terror: at best, death brings release.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga