Organization

Conductor

Ivan Repušić

Stage director

Petar Selem

Set designer

Ivo Knezović

Costume designer

Danica Dedijer

Chorus master

Ana Šabašov

Lighting designer

Zoran Mihanović

Choreographer

Antun Marinić

Bass

Ivica Čikeš

Philip II

Luciano Batinić

Tenor

Alejandro Roy

Don Carlos

Baritone

Tito You

Marquis of Posa

Ante Jerkunica

The Grand Inquisitor

A monk

Ozren Bilušić

Soprano

Gabriela Georgieva

Elizabeth of Valois

Mezzo-soprano

Ingebjørg Kosmo

Princess Eboli

Ivana Kladarin

Thibault

Marija Kuhar Šoša

Heavenly Voice

Špiro Boban

The Count of Lerma

Saša Jakelić

Royal Herald

Vinko Maroević

HNK Split

Others

HNK Split Choir

Orchestra

HNK Split Orchestra

Don Carlos (French version)

Split

Croatia

Don Carlos Verdi

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

It was only deep in the second half of the 20th century that the opinion began to prevail that Don Carlos is not only Verdi's most ambitious opera, but also one of his top achievements. Perhaps the number of versions of this opera (as many as eight "authentic" versions of the score) is the most responsible for such a slow gaining of popularity and appropriate judgment. Despite this, Verdi gave the world one of the most wonderful musical dramatic poems about freedom and friendship with this opera. He made the most of all the basic ideas of Schiller's template, creating several of his most expressive characters on a broad historical background and building their mutual conflicts. With director Petar Selem,

English

Tek duboko u drugoj polovici 20. stoljeća počelo je prevladavati mišljenje da je Don Carlos ne samo Verdijeva najambicioznija opera, već i jedno od njegovih vrhunskih dostignuća. Možda je za tako sporo stjecanje popularnosti i primjerene prosudbe najzaslužnija brojnost verzija te opere (čak osam "autentičnih" verzija partiture). Unatoč tome, Verdi je ovom operom podario svijetu jednu od najdivnijih glazbeno dramskih poema o slobodi i prijateljstvu. Sve temeljne zamisli Schillerova predloška maksimalno je iskoristio, stvorivši na širokoj povijesnoj pozadini nekoliko svojih najizražajnijih likova i izgradivši njihove međusobne sukobe. Uz redatelja Petra Selema, suverenog poznavatelja cjelokupnog Verdijevog opusa i dirigenta Ivana Repušića koji je već stekao reputaciju sjajnog interpreta njegovih glazbenih zamisli, solistička podjela uključuje najzvučnija imena hrvatske operne scene te brojna imena međunarodnog opernog ugleda.

hrvatski

Don Carlos (French version) by Verdi, lau 18 júl 2009, Frá (2009/2009), Leikstýrt af Petar Selem,, Hljómsveitarstjóri Ivan Repušić, HNK, Split, Croatia

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