Organization

Bas - baryton (+3)

Michael Nagl

Un moine

Sopran

Olga Busuioc

Elisabeth de Valois

Reżyseria

Reżyseria (+1)

Lotte de Beer

Scenografia

Scenografia (+2)

Christof Hetzer

Reżyseria światła

Reżyseria światła (+2)

Alex Brok

Przygotowanie chóru

Przygotowanie chóru (+2)

Manuel Pujol

Dramaturgia

Franz-Erdmann Meyer-Herder

Dramaturgia (+1)

Peter te Nuyl

Dyrygent

Dyrygent (+1)

Valerio Galli

Kostiumy

Bas (+2)

Adam Palka

Philippe II

Tenor (+2)

David Junghoon Kim

Don Carlos

Mezzosopran (+5)

Diana Haller

La princesse Eboli

Natasha Wilson

Thibault

Sopran (+2)

Alma Ruoqi Sun

Une voix céleste

Alberto Robert

Le comte de Lerme

Un héraut royal

Orchestra

Staatsorchesters Stuttgart

Staatsoper Stuttgart

Rebekka Stange

Chorus

Staatsopernchor der Oper Stuttgart

Opernhaus

Baryton (+5)

Johannes Kammler

Rodrigue

Bas (+3)

Gianluca Buratto

Le Grand Inquisiteur

Baryton (+2)

Peter Paul

Ein Holzfäller

Kyung-Won Yu

Nauczyciel (+5)

Liang Li

Baryton (+3)

Alexey Bogdanchikov

Who grants us freedom of thought? For Giuseppe Verdi even more than for Friedrich Schiller a question that should not be asked purely under the tyranny of kings: „After all, in this drama are neither historical facts nor Shakespearian truth to be found”, said Verdi about his opera Don Carlos, when he revised the composition yet again in the 1880s. Verdi’s interpretation of Schiller’s libertarian drama about the Spanish successor not only focuses on the fate of monarchs, but mostly on the kind of totalitarianism that understands people as material – long before the 20th century’s terror became a reality. Dutch director Lotte de Beer projects the story into a not too distant future where religiously radical tendencies prevail and where the terror of the past might experience a revival.

francuski