Organization

Cantante

Tenor

Michael Porter

Don Ottavio

Martin Mitterrutzner

Bajo

Andreas Bauer Kanabas

El comendador

Director(a) de escena

Christof Loy

Escenógrafo(a)

Johannes Leiacker

Diseñador(a) de vestuario/Figurinista

Ursula Renzenbrink

Diseñador(a) de iluminación

Olaf Winter

Dramaturgia

Norbert Abels

Director(a) orquestal

James Hendry

Director(a) coral

Álvaro Corral Matute

Soprano

Mojca Bitenc

Donna Anna

Elissa Huber

Donna Elvira

Kateryna Kasper

Zerlina

Assistant Stage Director

Axel Weidauer

Barítono

Kihwan Sim

Don Giovanni

Nicholas Brownlee

Leporello

Erik Van Heyningen

Masetto

Jarrett Porter

Simone Di Felice

Oper Frankfurt

Others

Choir of the Frankfurt Opera

Orchestra

Frankfurter Opern- und Museumsorchester

italiano

Francfort

Alemania

Opernhaus

Don Giovanni Mozart

Public

alemán

Válido

The beginning of Mozart‘s world famous »dramma giocoso« is anything but light-hearted or jolly: Donna Anna’s father, the Commendatore, comes to her aid when Don Giovanni tries to seduce her, but is killed in a duel. Happy-go-lucky Don Giovanni is confronted with his own transitoriness, losing the light-heartedness he has practiced for years. Nothing is like it used to be. Donna Elvira, his wife, appears out of thin air, foiling another attempt at seduction. And he keeps being haunted by the murdered Commendatore’s ghost, who literally seems to hold a mirror up to him. Christof Loy places Mozart‘s opera in a baroque world, where terms like heaven, hell and God really meant something. Don Giovanni behaves like a blithe spirit who can’t be bothered with ethics or morals, whose anarchic lifestyle captivates, infects and changes the other characters forever.

English

Créditos de presentación (Reparto & Equipo )

Elenco

Equipo

Ensamble