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Komische Oper Berlin

Escenografía

Dirección de escena (+2)

Kirill Serebrennikov

Diseño de vestuario

Soprano (+1)

Adela Zaharia

Donna Anna

Tenor (+1)

Agustín Gómez

Don Ottavio

Bajo (+3)

Tijl Faveyts

El comendador

Soprano (+4)

Bruno de Sá

Donna Elvira

Barítono (+4)

Tommaso Barea

Leporello

Bajo (+6)

Philipp Meierhöfer

Masetto

Schiller Theater

Cantante (+1)

Nikita Elenev

Zauberer/Geist

Barítono

Mikhail Poliakov

Asistente de decorador

Olga Pavlyuk

Coreografía

Coreografía (+1)

Evgeny Kulagin

Dramaturgo

Dramaturgo (+1)

Sophie Jira

Iluminación

Iluminación (+1)

Olaf Freese

Video

Ilya Shagalov

Hubert Zapiór

Don Giovanni

Soprano (+2)

Penny Sofroniadou

Zerlina

Dirección orquestal

Dirección orquestal (+2)

James Gaffigan

Dirección de escena

Dirección coral

David Cavelius

Mezzosoprano (+1)

Georgy Kudrenko

Actor (+1)

Susanne Bredehöft

Krankenschwester/Geist

Orchestra

Orchester der Komischen Oper Berlin

Chorus

Chor der Komischen Oper Berlin

Soprano

Mezzosoprano (+3)

Virginie Verrez

Contralto

Tenor

Bajo

The »opera of all operas«, directed by Kirill Serebrennikov at the Schiller Theatre! After the tale of love and loss in Così fan tutte and the social disparities between servants and masters in The Marriage of Figaro, Serebrennikov now completes Mozart’s Da Ponte trilogy with arguably the most dangerous of the three operas . . .

A gentleman who’s a playboy, a servant who’s tired of serving, and a long list of cheated women: Don Giovanni takes what he wants and knows how to throw a magnificent party. The servant Leporello grumbles under his master’s seductive exploits, as he’s the one who has to clean up afterward, comforting and even enlightening the duped. But when Don Giovanni kills the Commendatore in a duel over the honour of his daughter Donna Anna, even Leporello has had enough. But his master is already onto his next victim: Zerlina. It is only his former lover Elvira who refuses to countenance his betrayal and tries to warn the other women about the philanderer—of course in vain. Seducing and deceiving, Don Giovanni simply enjoys gambling with his life, until the ghosts of the past come to haunt him . . .

With Don Giovanni, Mozart and Da Ponte successfully created a masterwork of the operatic canon. In this dramma giocoso or ‘lighthearted drama’, they achieved—through Mozart’s sophisticated psychological composition, spellbinding melodies, and brilliant instrumentation—an extraordinary study of human nature that, in Kirill Serebrennikov’s fearless hands, brings up compelling questions about sex, the power of seduction, the pursuit of individual freedom, and the right to defy societal norms.

Don Giovanni/Requiem

Berlín

Alemania

Großer Saal

Don Giovanni Mozart

Ópera

Requiem de Mozart

Rahul Solomon

italiano

Die »Oper aller Opern«, inszeniert von Kirill Serebrennikov im Schillertheater! Nach der Geschichte um Liebe und Verlust in »Così fan tutte« und der sozialen Gefälle zwischen Dienern und Herren in »Le nozze di Figaro« vollendet Serebrennikov die Mozart-Da-Ponte- Trilogie mit der wohl gefährlichsten der drei Opern …

Válido

Fotografías