Organization

Costumes

Dženisa Pecotić

Chorégraphie

Vatroslav Krčelić

Direction de choeur

Luka Vukšić

Direction d'orchestre

Niksa Bareza

Josip Šego

Mise en scène

Krešimir Dolenčić

Décors

Dalibor Laginja

Inga Kostinčer

Margareta Froman

Ivan Josip Skender

Chanteur

Ivica Trubić

Marko

Siniša Štork

Ivica Čikeš

Tamara Franetović Felbinger

Đula

Valentina Fijačko

Kristina Anđelka Đopar

Stjepan Franetović

Mića

Miljenko Đuran

Davor Radić

Sima

Ljubomir Puškarić

Stage Movement

Ioan Barbu

Assistant Director

Petar Vujačić

Bone Restoration Assistant

Željko Nosić

Traduction

Tijana Gojić

Dubravka Šeparović Mušović

Doma

Sofia Ameli Gojić

Cecilija Car

Ana Zebić Kostel

Čobanče

Marija Lešaja

Rôle muet

Mario Bokun

Momče

Neven Mrzlečki

Concert Masters

Vlatka Peljhan

Mojca Ramuscak

Vjekoslav Babić

Helena Borović

Nina Cossetto

Silvana Čuljak

Aleksandra Ćorluka

Supervisor

Zrinka Petrušanec

HNK Zagreb

Others

Choir HNK Zagreb

Orchestra

Orkestar Opere Hrvatskoga Narodnog Kazalista u Zagrebu

Ero the Joker -  (Ero le farceur)

Zagreb

Croatie

Ero the Joker Gotovac

Public

Ero le farceur

Valide

The most successful and most popular work of Jakov Gotovac's opera E ro from the Other World has long been considered one of the most successful Slavic comic operas, and since its premiere at the Zagreb HNK in 1935 it has hardly left the repertoire of all Croatian national houses. Numerous reviews of performances staged on foreign stages assess the Era as a trademark of Croatian opera, which transmits the songs and dances of its homeland to the world, with the dramatic word and music perfectly combined. Musical color, lush orchestration, lively rhythms, singing vocal lines that flow continuously are closely related to the exceptional libretto by Milan Begović full of witty and ingenious verses. The main character of the opera and the initiator of the plot is Mića, a young man from a rich rural family in the Dalmatian hinterland.
While trying to find a girl to marry, on his mother's advice, he portrays himself as poor, like Ero from the other world, because he wants to be sure that his beloved Đula sincerely loves him. Although he cheated on many, in the end everything is forgiven and he gets the girl he loves. The spectacular ballet finale of the opera, a furious tempo, is a kind of ode to the folk way of life, in which music imbued with the ethnos of the Dalmatian hinterland comes to the fore.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble