Organization

Singer

Miljenko Đuran

Ero the Joker

Ivica Čikeš

Marko

Terezija Kusanović

Doma

Valentina Fijačko

Đula

Ljubomir Puškarić

Sima

Tea Požgaj

Čobanče

Conductor

Hari Zlodre

Stage director

Krešimir Dolenčić

Set designer

Dinka Jeričević

Costume designer

Danica Dedijer

Choreographer

Lucijano Perić

Chorus master

Ana Šabašov

Lighting designer

Zoran Mihanović

Kristina Anđelka Đopar

Božena Svalina

HNK Split

Others

Riječki operni zbor

Orchestra

Croatian National Theatre Ivan Zajc Opera Orchestra

Split

Croatia

Ero the Joker Gotovac

Public

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Mezzo-soprano

Bass-baritone

Baritone

Soprano

Countertenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

The act that Mićo, a rich peasant, changes and pretends to have fallen from the sky, from the other world in order to test nature and devotion of the girl he loves, develops into a whole set of comic situations and plots. A fresh and live stage life pulsates in the opera. People with human virtues and faults live there. This opera is full of beautiful folk songs that Gotovac incorporated in his work with a skill of a great artist. Gotovac and Begović, the libretto writer, found the basis for the opera's music and text in the folklore of many South Slavic groups, ranging from Dalmatian folklore (the final “Vrlik aKolo” dance) to Kosovo female songs from Gnjilane (opening female chorus “Duni mi, duni, lađane”). Deprived of pathos, full of sparkling satire this opera ranks among the best works of Slavic opera literature.

English

Ero the Joker by Gotovac, mán 07 nóv 2016, Frá (2016/2017), Leikstýrt af Krešimir Dolenčić,, Hljómsveitarstjóri Hari Zlodre, HNK, Split, Croatia

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