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Die Verbesserung der Welt

Śpiewak

Robert Chionis

No role specified

Gebhard Heegmann

Tehmine Schaeffer

Evert Sooster

Dyrygent

Antanina Kalechyts

Reżyseria

Kristine Tornquist

Scenografia

Michael Liszt

Kostiumy

Katharina Kappert

Reżyseria światła

Edgar Aichinger

Dramaturgia

Katharina Hollerwöger

Bärbel Strehlau

Wideo

Dietmar Hollenstein

Beatrix Hollenstein

Jury Everhartz

Korepetytor /- ka

Petra Giacalone

Benjamin McQuade

Roberta Cortese

Markus Liszt

sirene Operntheater

Orchestra

Ensemble Reconsil

niemiecki

Ewiger Frieden

Wiedeń

Austria

Sirene Operntheater

THE IMPROVEMENT OF THE WORLD - a chamber opera festival
https://www.sirene.at/aktuell/festiva... | https://issuu.com/sirene47/docs/siren...
Set subtitles on youtube! / with German subtitles 1 - ETERNAL PEACE Text. Kristine Tornquisthttps://www.sirene.at/site/assets/fil...
Music. Alexander Wagendristelhttps://www.sirene.at/site/assets/fil...

A cargo box is delivered to the funeral home. It is Cargo200, the name given to military deaths in Russia. The two undertakers inform the widow that the body has arrived and get ready for their usual work. But this, it turns out, is no ordinary dead man, for he died in a war that doesn't exist. So denied by the state power, the corpse disappears from the coffin and the widow sees no need for a burial. The two undertakers are not deterred by this, however.

0:00:00 0. Eternal Peace
0:01:36 1. The box 
0:04:56 2. The undertaker 
0:19:38 3. The widow
0:36:38 4. The dead soldier
0:52:52 5. Nobody
1:03:57Applause Schukin. Evert Sooster Zhukov. Robert Chionis Anastasia. Tehmine Schaeffer Dead soldier. Gebhard Heegmann death. Bärbel Strehlau Director. Kristine Tornquist musical director. Antanina Kalechyt's Ensemble Reconsil. Clarinet. Theresa Dinkhauser. Percussion. Lászlo Csabai. Percussion. Adina Radu. Guitar. Hans Zinkl. Piano. Petra Giacalone. Accordion. Alfred Melichar. Violin. Christina Kraushofer-Neubauer. Violin. Aya Georgieva. Viola. Anthony Gilbert. Violoncello. Maria Frodl. Violoncello. Irene Frank. Double bass. Maximilian Ölz ensemble management. Alexander Wagendristel stage and prop. Michael Liszt. Markus Liszt costume. Katharina Kappert doll. Roman Spiess stage podium. Cornelius Burkert light and technology. Edgar Aichinger mask. Anna Dreo accompanist. Petra Giacalone. Benjamin McQuade assistant director. Heidelinde Schuster production assistant. Roberta Cortese Technical Assistance. Sebastian Seidl production manager. Jury Everhartz Filmproduktion. Peter compatriot. Paul compatriot. L + L video production floor F23. Lara Adaibat. Thomas Barcal. Alexander Lugmayr. Max Sperger. Erich Sperger This film was made possible by the kind support of the Department of Culture of the City of Vienna (MA7) and the Austrian Federal Ministry for Art, Culture, Public Service and Sport (BMKOES) (From the Stage to the Video - New Start Culture). a siren production 2020 - 2021 Jury Everhartz. Kristine Tornquist siren opera theater | Alexander Lugmayr. Max Sperger. Erich Sperger This film was made possible by the kind support of the Department of Culture of the City of Vienna (MA7) and the Austrian Federal Ministry for Art, Culture, Public Service and Sport (BMKOES) (From the Stage to the Video - New Start Culture). a siren production 2020 - 2021 Jury Everhartz. Kristine Tornquist siren opera theater | Alexander Lugmayr. Max Sperger. Erich Sperger This film was made possible by the kind support of the Department of Culture of the City of Vienna (MA7) and the Austrian Federal Ministry for Art, Culture, Public Service and Sport (BMKOES) (From the Stage to the Video - New Start Culture). a siren production 2020 - 2021 Jury Everhartz. Kristine Tornquist siren opera theater |https://www.sirene.at

Atmospheric the whole thing is close to Alban Berg's Wozzeck: precarious conditions, oppression and submission. The soldier in the opera "Eternal Peace" doesn't just come off like that. He is brought in in a wooden chest, in which a bright red coffin keeps the soldier. The main actor seems dead, his widow Anastasia is in mourning and two funeral directors in Donetsk, Ukraine, are preparing to prepare the deceased for the funeral. However, in this funeral home, little by little, some things don't go together. Does the tattered body of the soldiers tell the truth of war or the Putin-like president grinning from the TV set and teaching that "there are no Russian troops in Ukraine"? But why does the deceased suddenly contradict as undead, by reporting terrible war situations while holding the head of a dead friend? And what about the delivery paper that was enclosed with the dead man and that traces his death back to an unknown cause? In this opus by Kristine Tornquist and composer Alexander Wagendristel, the two undertakers (profound Robert Chionis and Evert Sooster) are amazed. The confrontation of bloody reality and propaganda gives them a frenzy of cognitive dissonance. Directed by Kristine Tornquist, they stumble between opportunism and compassion for the widow. Anastasia (Tehmine Schaeffer) becomes a problem solver. After talking to the authorities, she is happily convinced that her Sergei is not dead at all, only on a secret mission. And since the red coffin is suddenly empty too, the officials have no choice but to accept the victory of fiction over reality with relief. Your funeral home has become the Fakenews' hostel. Wagendristel's music never becomes a rude counterpart to the sarcastic piece. The Ensemble Reconsil under the direction of Antanina Kalechyts delicately implements the subtle and sound-sensitive music with its ramifications, sometimes something like imaginary folklore sounds. Everything carefully and subtly. Der Standard, 04.09.2020, Ljubiša Tošić Wagendristel's music never becomes a rude counterpart to the sarcastic piece. The Ensemble Reconsil under the direction of Antanina Kalechyts delicately implements the subtle and sound-sensitive music with its ramifications, sometimes something like imaginary folklore sounds. Everything carefully and subtly. Der Standard, 04.09.2020, Ljubiša Tošić Wagendristel's music never becomes a rude counterpart to the sarcastic piece. The Ensemble Reconsil under the direction of Antanina Kalechyts delicately implements the subtle and sound-sensitive music with its ramifications, sometimes something like imaginary folklore sounds. Everything carefully and subtly. Der Standard, 04.09.2020, Ljubiša Tošić

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Ewiger Frieden: Ewiger Frieden Wagendristel

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THE IMPROVEMENT OF THE WORLD. A chamber opera festival in seven rounds. siren opera theater 2020

Eine Frachtkiste wird ins russische Bestattungsinstitut geliefert. Es handelt sich dabei um Cargo200, so die Bezeichnung für militärische Tote. Die beiden Bestatter verständigen die Witwe, dass der Leichnam eingetroffen sei und machen sich auf ihre übliche Arbeit gefasst. Doch dies, stellt sich heraus, ist kein gewöhnlicher Toter, denn er ist in einem Krieg gefallen, den es nicht gibt. Derart geleugnet von der Staatsmacht verschwindet der Leichnam aus dem Sarg und die Witwe sieht keinen Bedarf an einem Begräbnis. Davon lassen sich die beiden Bestatter jedoch nicht beirren.

Deutsch

A freight box is delivered to the Russian undertaker. It is Cargo200, the name for military dead. The two undertakers inform the widow that the body has arrived and prepare for their usual work. But this, it turns out, is no ordinary corpse, having died in a war that doesn't exist. Denied in this way by the authorities, the corpse disappears from the coffin and the widow sees no need for a burial. However, the two undertakers are not deterred by this.

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