Name: “Extinción: Misa de Batalla y Misa pro defunctis”
Start: 2022-04-12T00:00:00.000Z
End: 2022-04-24T00:00:00.000Z
Location: Teatro de la Abadía

Organization

Stage director

Àlex Serrano

Pau Palacios

Conductor

Javier Ulises Illán

Chorus master

Andrés Máspero

Playwright

Lighting designer

Cube.bz .

Costume designer

Lola Belles

Singer

No role specified

Teatro Real de Madrid

Others

Coro Intermezzo

Orchestra

Nereydas Orchestra

“Extinción: Misa de Batalla y Misa pro defunctis”

Madrid

Spain

Teatro de la Abadía

“Extinción: Misa de Batalla y Misa pro defunctis” Cererols

Public

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Set designer

Choreographer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bass-baritone

Contralto

Countertenor

Baritone

Mezzo-soprano

Soprano

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

Although most of the catalogue of Benedictine monk Joan Cererols disappeared in the fire at the abbey of Montserrat that was caused by the French troops during the invasion of 1811, his Misa de batalla –composed in 1648 in honour of Phillip IV– and his Missa pro defunctis –composed three years later as the plague ravaged Barcelona– are testimonies of an artistic craft connected to the concertato style and open to the Baroque influence from Italy and Flanders.  
The scenic proposal Extinción presents a visual dramatization of these works using a staging device of filming in real time: a poetic and visual discourse with    this music via a dramaturgy that unfolds with the use of video cameras, models, objects and live performance filming. Extinción is also a reflection about Extractivism in the 21st century: a productive model of development based on the devastation of the ecosystem where some of the most terrible examples can be found in the coltan mines of the Congo, the burning of natural gas from oil drilling in the ecuadorian Amazonía, the mono-crop cultivation of soybean in the Brazilian savanna “Cerrado”, massive mining in Chile and fracking in the Argentine Patagonia.

English

“Extinción: Misa de Batalla y Misa pro defunctis” by Cererols, ar. 12 api. 2022, Noiztik (2022/2022), Zuzendaria Àlex Serrano, Pau Palacios,, Zuzendaria Javier Ulises Illán, Teatro de la Abadía, Madrid, Spain

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