Admin

Organization

Chanteur

Ténor

Charles Castronovo

Faust

Basse

Ildar Abdrazakov

Méphistophélès

Baryton

Vasilij Ladjuk

Velentin

Soprano

Irina Lungu

Marguerite

Mezzo-soprano

Ketevan Kemoklidze

Siébel

Samantha Korbey

Marthe Schwertlein

Direction d'orchestre

Gianandrea Noseda

Mise en scène

Stefano Poda

Costumes

Décors

Paolo Maria Orecchia

Wagner

Lumières

Chorégraphie

Teatro Regio di Torino

Orchestra

Orchestra del Teatro Regio di Torino

Turin

Italie

Teatro Regio

By placing a giant black ring in the center of the stage, casting a menacing shadow over the singers and dominating the scene, director, set and costume designer Stefano Poda takes the story of the endlessly searching Faust to an abstract, seemingly futuristic level, and not only ensures the most fascinating stage moments due to the sophisticated lighting control.
Also thanks to the excellent and enthusiastic cast, Poda manages to convince his audience. Charles Castronovo in the title role deserves special mention for his brilliant acting and gentle singing. Russian bass Ildar Abdrazakov - a staple of every major opera house around the world - embodies the demonic Méphistophélès. As the innocent young girl Marguerite we see the Moldovan soprano Irina Lungu, who demonstrates her skills with a crystal-clear timbre. The performance will be directed by the General Music Director of the Teatro Regio Gianandrea Noseda, who has been in office since 2007 and who has taken on this opera jewel for the first time. He conducts the orchestra of the Teatro Regio Torino with fine nuances and a high level of musical tension.

Public

Valide

Faust Gounod

Premiered in Paris in 1859, Gounod’s Faust was an instant success and even today remains one of the most popular of all French operas. Its libretto was based...

By placing a giant black ring in the center of the stage, casting a menacing shadow over the singers and dominating the scene, director, set and costume designer Stefano Poda takes the story of the endlessly searching Faust to an abstract, seemingly futuristic level, and not only ensures the most fascinating stage moments due to the sophisticated lighting control.
Also thanks to the excellent and enthusiastic cast, Poda manages to convince his audience. Charles Castronovo in the title role deserves special mention for his brilliant acting and gentle singing. Russian bass Ildar Abdrazakov - a staple of every major opera house around the world - embodies the demonic Méphistophélès. As the innocent young girl Marguerite we see the Moldovan soprano Irina Lungu, who demonstrates her skills with a crystal-clear timbre. The performance will be directed by the General Music Director of the Teatro Regio Gianandrea Noseda, who has been in office since 2007 and who has taken on this opera jewel for the first time. He conducts the orchestra of the Teatro Regio Torino with fine nuances and a high level of musical tension.

The opera, which premiered in Paris in 1859, was a success from the start. Today, Charles Gounod's Faust is one of the most popular works. in the French operatic repertoire. Goethe's tragedy served as the basis, while Michael Carré's French version Faust et Marguerite Gounod provided the impetus for his musical work on the subject.

English

Faust by Gounod, Du (2015/2015), Dirigé par Stefano Poda,, Chef d'orchestre Gianandrea Noseda, Teatro Regio, Turin, Italie

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