Organization

Cantante

Mezzosoprano

Katarzyna Haras-Kruczek

Hodel

Otro

Papel mudo

Adam Czermak

Violinista

Jacek Jaskuła

Tevye

Elżbieta Kaczmarczyk-Janczak

Golde

Dorota Dutkowska

Tzeitel

Barbara Bagińska

Yenta

Łukasz Rosiak

Perchik

Edward Kulczyk

Awram

Jolanta Serednicka

Abuela Tzeitel

Tenor

Aleksander Zuchowicz

Sascha

Barítono

Tomasz Rudnicki

Constable

Director(a) de escena

Marek Weiss

Adam Frontczak

Diseñador(a) de vestuario/Figurinista

Ryszard Kaja

Coreógrafo(a)

Emil Wesołowski

Bożena Klimczak

Chava

Piotr Bunzler

Motel Kamzoil

Andrzej Zborowski

Mordcha

Marek Klimczak

El Rabino

Paweł Walankiewicz

Mendel

Marcin Klarman

Nachum

Sergii Borzov

Fyedka

Jolanta Górecka

Fruma Sara

Jerzy Szlachcic

Lejzor

Grandfather

Director(a) orquestal

Tomasz Szreder

Opera Wrocławska

Others

Choir of the Wroclaw Opera

Orchestra

Orkiestra Opery Wrocławskiej

Ballet

Balet Opery Wrocławskiej

polaco

Fiddler on the Roof -  (El violonista en el tejado)

Breslavia

Polonia

Fiddler on the Roof

Public

El violonista en el tejado

Válido

Fiddler on the Roofis one of those musicals that went around the world, and many of its fragments are known to audiences regardless of latitude. Composer Jerry Bock, in the early 1950s, having already had three successful musicals to his credit, received an offer from the then management of the New York Imperial Theater to compose a play, after which audiences leaving the theater would hum fragments of it. In a word - the management asked the composer for a hit that would be unrivaled in relation to other Broadway theaters. Bock agreed and invited spoken author Joseph Stein and songwriter Sheldon Harnick to collaborate. The libretto is based on the stories of Szolem Aleichem, in which the main character is the milkman Tewje, his wife Golde, and their three daughters, Cajtel, Hodel and Chawa, who want to marry. It all takes place in 1905 in the Russian village of Anatevka, where traditional Jewish society lives with the Russian community slowly preparing for the revolution. The element that binds all art is the concept of Tradition passing into modernity personified in the form of Tevi, who undergoes an internal transformation before our eyes.
The fiddler on the roof was first introduced in 1954, he almost immediately began to break all popularity records and it is still so today, because - as Tewje says - each of us is just such a fiddler on the roof, trying to bring out the cheerful , sonorous tone without breaking the neck. It's not an easy art! (...) And what allows us to keep balance in this uncomfortable position for so many years? I can answer you with one word - Tradition ...

English

Créditos de presentación (Reparto & Equipo )

Elenco

Equipo

Ensamble