Name: Fidelio
Start: 2013-03-17T00:00:00.000Z
End: 2013-03-28T00:00:00.000Z
Location: Theater an der Wien

Organization

Singer

Soprano

Juliane Banse

Leonore

Baritone

Martin Gantner

Don Pizzaro

Tenor

Michael Schade

Florestan

Bass

Lars Woldt

Rocco

Anna Prohaska

Marzelline

Johannes Chum

Jaquino

Conductor

Nikolaus Harnoncourt

Stage director

Herbert Föttinger

Costume designer

Rolf Langenfass

Set designer

Lighting designer

Emmerich Steigberger

Birgit Hutter

Andrew Owens

First prisoner

Garry Magee

Don Fernando

MusikTheater an der Wien

Orchestra

Concentus Musicus Vienna

Fidelio

Vienna

Austria

Theater an der Wien

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

FIDELIO L. v. Beethoven (Nikolaus Harnoncourt)

Beethoven's only opera belongs to the genre of liberation opera that was current around the time of the French Revolution, which agitated against tyranny and for human freedom in the spirit of the Enlightenment. Despite the topicality of the topic, Beethoven initially failed to win over the Viennese audience for his work, the unconventional music and the inconsistent dramatic style were difficult to access in their novelty.
Fidelio is a hybrid work that begins very concretely with genre scenes in the manner of the Singspiel and ends with an abstract, transfigured ending, almost in a concert.

Don Pizarro, governor of a Spanish state prison, behaves as a feared tyrant. He has had his critic Florestan thrown in prison and plans to secretly eliminate him. Meanwhile, Leonore, Florestan's wife, has disguised herself as a man and is looking for her husband. She was able to follow a lead as far as a certain prison, but she has not yet been able to find out whether the mysterious prisoner hidden there is really Florestan. As "Fidelio" she smuggled into the family of the jailer Rocco. She makes herself indispensable in looking after the prisoners, so that at some point she will also be taken to the stranger. Meanwhile, Rocco hopes that the capable “Fidelio” will soon propose to his daughter Marzelline. Events are accelerated by the arrival of Pizarro: The prisoner should finally die. Leonore wants to save the stranger from the arbitrariness of the tyrant, regardless of whether he is her husband or not. Armed she faces Pizarro. At that moment, the minister Don Fernando, a friend of Florestan's, appears and puts a stop to Pizarro. The separated spouses unite to great jubilation - because the
Prisoner is really Florestan.

Emanuel Schikaneder had long courted Beethoven to write an opera for his Theater an der Wien, which opened in 1801. In 1805 Schikaneder's wish was fulfilled with the world premiere of Fidelio, but
the French occupation of Vienna considerably paralyzed interest in it. The second version of the Liberation Opera was also staged in the Theater an der Wien in 1806, the third in the Kärntnertortheater in 1814.
The discussion of which version should be given preference continues to this day. Nikolaus Harnoncourt has
chosen the last version of Beethoven's drama about freedom, wife love and tyranny for the performance at the Theater an der Wien .

English

Fidelio by Beethoven, T 26 märts 2013, Alates (2013/2013), Juhatatud Herbert Föttinger,, Dirigent Nikolaus Harnoncourt, Theater an der Wien, Vienna, Austria

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