Name: Follie Corelliane I
Start: 2017-06-13T00:00:00.000Z
End: 2017-06-13T00:00:00.000Z
Location: Basilica di Sant’Apollinare Nuovo

Admin

Ravenna Festival

Violinist

Enrico Onofrio

Violin

Instrumentista

Alessandro Palmeri

Cello

Simone Vallerotonda

Archlute

Riccardo Doni

Harpsichord

Others

Imaginarium Ensemble

Follie Corelliane I

Rávena

Italia

Basilica di Sant’Apollinare Nuovo

Follie Corelliane I: 12 Violin Sonatas, Op.5 Corelli, A.

Public

Private

12 Violin Sonatas, Op.5

Larissa Andrea Pereira

Válido

Bajo

Instrumentalist

Pianista

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor(a)

Director(a) orquestal

Director(a) de escena

Libretista

Escenógrafo(a)

Diseñador(a) de vestuario/Figurinista

Coreógrafo(a)

Diseñador(a) de iluminación

Bailarín(a)

Actor/actriz

Director(a) coral

Diseñador(a) de video

Dramaturgia

Traductor(a)

Diseñador(a) de sonido

Maestro repetidor

Maquillaje

Producción Ejecutiva

Peinado

Otro

Stage Manager

Coro

Orquesta

Poet

Entrenador(a) vocal

Profesor(a)

Photographer

Radiodifusión

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contratenor

Singer

Bajobarítono

Contralto

Soprano

Mezzosoprano

Barítono

Tenor

Hablado

Vocalista infantil

Silencio

Alto

Continuo

Asking two different performers to interpret Corelli’s Violin Sonatas means comparing different styles as well as highlighting the infinite possibilities of these scores. Nothing is taken for granted here: not the pitch standard, nor the choice of the basso continuo (the author himself called them Sonatas for violin and violone or harpsichord), not to mention ornamentation. And it was precisely the study of non-notated ornamentation, usually left to the discretion of the soloist, which, since the 18th century, have given birth to different interpretations contemporary performers can refer to for their own embellishments. But the real touchstone for the talents of Enrico Onofri and Stefano Montanari will be the Sonata, no. 12, an extraordinary series of variations on a theme, known as La Follia.

English

Affidare a due diversi interpreti l’esecuzione delle Sonate per violino di Corelli significa mettere a confronto modalità e stili diversi, ma anche mettere in luce le infinite potenzialità insite in quelle pagine. Nulla è scontato: non lo è il diapason di riferimento, né la scelta del basso continuo (è lo stesso autore a indicare “Sonate a violino e violone o cimbalo”), per non dire dell’ornamentazione. Proprio il lavoro sugli abbellimenti, per consuetudine non scritti ma lasciati alla discrezione del solista, ha dato vita sin dal Settecento a interpretazioni diverse, a cui i violinisti di oggi possono rifarsi per elaborare le proprie ornamentazioni. Ma la vera pietra di paragone tra i talenti di Enrico Onofri e Stefano Montanari sarà l’ultima Sonata, la serie di variazioni sul tema conosciuto col nome di Follia.

italiano

Follie Corelliane I by Corelli, A., De (2017/2017), Basilica di Sant’Apollinare Nuovo, Rávena, Italia

Créditos de presentación (Elenco & Equipo )

Elenco

Instrumentación

Ensamble

Programa, Acerca de & Sinopsis

Fotografías

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