Name: Frammenti Infernali | Omaggio a Pier Paolo Pasolini
Start: 2022-06-14T00:00:00.000Z
End: 2022-06-15T00:00:00.000Z
Location: Chiostro del Museo Nazionale

Organization

Ravenna Festival

Soprano

Felicita Brusoni

Carolina Lidia Facchi

Valeria Matrosova

Valentina Piovano

Stage director

Andrea De Luca

Frammenti Infernali | Omaggio a Pier Paolo Pasolini

Ravenna

Italy

Chiostro del Museo Nazionale

Frammenti Infernali | Omaggio a Pier Paolo Pasolini: Concert Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Bass-baritone

Mezzo-soprano

Tenor

Contralto

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

"While the text and the music are being written, a war, closer to us than others, could lead us to aphasia, as if no voice could be raised other than that of violence between states and interest groups": but for the authors there is also a strong urge to express himself on the subject, with the language of the scene, while trusting not to stray too far from the initial inspiration, from the Divine Mimesis with which Pasolini reinterpreted the Comedy looking at the Italy of the 60s and 70s of the last century . "A medieval Hell with old pains is opposed by a neo-capitalist Hell," he said. An original writing is based on this suggestion, conceived at the service of musical composition, which in these Infernal Fragmentsproceeds by apparitions, to suggest a personal journey with an eye to the present.

English

«Mentre vengono scritti il testo e le musiche, una guerra, più vicina a noi di altre, potrebbe indurci all’afasìa, come se non potesse levarsi altra voce oltre a quella della violenza fra Stati e gruppi di interesse»: ma per gli autori è forte anche la spinta a esprimersi in merito, con il linguaggio della scena, pur confidando di non allontanarsi troppo dall’ispirazione iniziale, dalla Divina Mimesis con cui Pasolini reinterpretava la Commedia guardando all’Italia degli anni ’60 e ’70 del secolo scorso. «A un Inferno medievale con le vecchie pene si contrappone un Inferno neocapitalistico», affermava. Da questa suggestione prende le mosse una scrittura originale, pensata al servizio della composizione musicale, che in questi Frammenti infernali procede per apparizioni, a suggerire un viaggio personale con lo sguardo rivolto al presente.

italiano

Frammenti Infernali | Omaggio a Pier Paolo Pasolini by Various, Ó (2022/2022), Faoi stiúir Andrea De Luca,, Chiostro del Museo Nazionale, Ravenna, Italy

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid