Name: Frammenti Infernali | Omaggio a Pier Paolo Pasolini
Start: 2022-06-14T00:00:00.000Z
End: 2022-06-15T00:00:00.000Z
Location: Chiostro del Museo Nazionale

Organization

Ravenna Festival

Śpiewak

Sopran

Felicita Brusoni

Carolina Lidia Facchi

Valeria Matrosova

Valentina Piovano

Reżyseria

Andrea De Luca

Frammenti Infernali | Omaggio a Pier Paolo Pasolini

Rawenna

Włochy

Chiostro del Museo Nazionale

Frammenti Infernali | Omaggio a Pier Paolo Pasolini: Concert Various

Public

Koncert

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Dyrygent

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Kontralt

Bas - baryton

Baryton

Mezzosopran

Kontratenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

"While the text and the music are being written, a war, closer to us than others, could lead us to aphasia, as if no voice could be raised other than that of violence between states and interest groups": but for the authors there is also a strong urge to express himself on the subject, with the language of the scene, while trusting not to stray too far from the initial inspiration, from the Divine Mimesis with which Pasolini reinterpreted the Comedy looking at the Italy of the 60s and 70s of the last century . "A medieval Hell with old pains is opposed by a neo-capitalist Hell," he said. An original writing is based on this suggestion, conceived at the service of musical composition, which in these Infernal Fragmentsproceeds by apparitions, to suggest a personal journey with an eye to the present.

English

«Mentre vengono scritti il testo e le musiche, una guerra, più vicina a noi di altre, potrebbe indurci all’afasìa, come se non potesse levarsi altra voce oltre a quella della violenza fra Stati e gruppi di interesse»: ma per gli autori è forte anche la spinta a esprimersi in merito, con il linguaggio della scena, pur confidando di non allontanarsi troppo dall’ispirazione iniziale, dalla Divina Mimesis con cui Pasolini reinterpretava la Commedia guardando all’Italia degli anni ’60 e ’70 del secolo scorso. «A un Inferno medievale con le vecchie pene si contrappone un Inferno neocapitalistico», affermava. Da questa suggestione prende le mosse una scrittura originale, pensata al servizio della composizione musicale, che in questi Frammenti infernali procede per apparizioni, a suggerire un viaggio personale con lo sguardo rivolto al presente.

italiano

Frammenti Infernali | Omaggio a Pier Paolo Pasolini by Various, od (2022/2022), W reżyserii Andrea De Luca,, Chiostro del Museo Nazionale, Rawenna, Włochy

Udział w spektaklu (Obsada & realizacja )

Obsada

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca