Organization

Iluminación

Diseño de vestuario (+2)

Yashi

Dirección orquestal

Dirección orquestal (+1)

Motonori Kobayashi

Dirección de escena

Dirección de escena (+5)

Marie-Eve Signeyrole

Escenografía

Escenografía (+3)

Fabien Teigné

Diseño de vestuario

Coreografía

Martin Grandperret

Dirección coral

Dirección coral (+4)

Fabio Mancini

Dramaturgo

Merle Fahrholz

Soprano (+1)

Anna Sohn

Brunhilda

Mezzosoprano (+1)

Hyona Kim

Frédégonde

Tenor (+1)

Sergey Romanovsky

Mérowig

Barítono (+3)

Mandla Mndebele

Hilpérick

Tenor (+2)

Sungho Kim

Fortunatus

Bajobarítono (+3)

Demian Matushevskyi

Landéric

Bajo (+4)

Ian Sidden

Un Serviteur

Bajo (+2)

Denis Velev

L'Evêque Prétextat

Director de cine

Video (+1)

Laurent La Rosa

Gerenta De Producción

Dirección orquestal (+6)

Fabian Schäfer

Entrenador De Idiomas

Pianista (+3)

Aymeric Catalano

Asistente De Dirección

Asistente de dirección escénica (+3)

David Bolik

Director De Estudios

Dirección orquestal (+2)

Thomas Hannig

Cinematógrafo

Jonas Schmieta

Gerente

Dirección de escena (+2)

Alexander Becker

Regidor (+1)

Ulas Nagler

Asistente de decorador

Escenografía (+1)

Emine Güner

Assistante costumes

Assistante costumes (+2)

René Neumann

Theater Dortmund

Orchestra

Dortmunder Philharmoniker

Chorus

Opernchor Theater Dortmund

Opernhaus Dortmund

Apuntador

Coreografía (+1)

Adriana Naldoni

Coreógrafo asistente

It's a family feud - escalating into a civil war. Brunhilda competes against Hilpéric, her brother-in-law. The target of their attack, however, is the woman at his side, Frédégonde. After Hilpéric overwhelms his sister-in-law with a surprise attack, his son Mérowig is supposed to banish her to a shielded monastery. But Mérowig is so enchanted by her that he disobeys his father's orders...

When Ernest Guiraud died in 1892, only the first three acts of Frédégonde were available, the rest was composed by Guiraud's companion and friend Camille Saint-Saëns. His personal style, based on romantic harmonies and classical forms, makes Frédégonde a unique testament to the musical diversity of the late 19th century.
In the implementation for the Dortmund Opera, the audience follows the two queens as they look back on their eventful lives. A fascinating mix of live experience on stage and silent film brings the Merovingian era back to life.

francés

Dortmund

Alemania

Opernhaus