Organization

Dyrygent

Motonori Kobayashi

Reżyseria

Marie-Eve Signeyrole

Scenografia

Fabien Teigné

Kostiumy

Yashi

Reżyseria światła

Florian Franzen

Przygotowanie chóru

Fabio Mancini

Dramaturgia

Merle Fahrholz

Assistant Director

David Bolik

Wideo

Laurent La Rosa

Śpiewak

Mezzosopran

Hyona Kim

Frédégonde

Tenor

Sergey Romanovsky

Mérowig

Baryton

Mandla Mndebele

Hilpérick

Sungho Kim

Fortunatus

Denis Velev

L'Evêque Prétextat

Demian Matushevskyi

Landéric

Ian Sidden

Un Serviteur

Choreografia

Martin Grandperret

Theater Dortmund

Orchestra

Dortmunder Philharmoniker

Others

Opernchor Theater Dortmund

Palazzetto Bru Zane

Sopran

Anna Sohn

Brunhilda

Dortmund

Niemcy

The rebirth of an almost forgotten treasure: After just nine stagings in the years 1895 and 1896, Frédégonde sank into oblivion for over a century. Things were complicated from the very start, beginning with the composition. When Ernest Guiraud died in 1892, only the first three acts of Frédégonde were complete. It was completed by Guiraud's friend Camille Saint-Saëns. The later's personal style, combining romantic harmonies with classical form, make this opera a unique testament to the musical variety of the late 19th century, in the vast shadow of Richard Wagner. – The Theater Dortmund stages the Merovingian historical drama about love, power and vengeance using a thrilling combination of theater and silent film. The German premiere live and exclusive to takt1.

Opernhaus Dortmund

Frédégonde Guiraud

Public

Approved

When Ernest Guiraud died leaving his Frédégonde unfinished , Saint-Saëns agreed to finish the work on condition that he be helped in his task by the young Paul Dukas, who was in charge of orchestrating half of the opera. Both are passionate about the bloody rivalry between Brunhilda and Frédégonde.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent