Name: From Salon to the Stage
Start: 2022-10-01T00:00:00.000Z
End: 2022-10-01T00:00:00.000Z
Location: Scuola Grande di San Giovanni Evangelista

Organization

Pianist

Thomas Tacquet

Soprano

Gabrielle Philiponet

Mezzo-soprano

Marie Kalinine

Tenor

Artavazd Sargsyan

Baritone

Philippe-Nicolas Martin

Palazzetto Bru Zane

From Salon to the Stage

Venice

Italy

Scuola Grande di San Giovanni Evangelista

From Salon to the Stage: Concert Various

Public

Private

Recital

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Countertenor

Bass-baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Mastering the art of vocal composition was the ultimate goal of musical education in France: studies at the Paris Conservatoire were geared to achieving that final stage of theoretical knowledge, and candidates for the Prix de Rome were assessed on their ability to produce such a work, in the form of a cantata. The emphasis on vocal music may be explained by the high prestige in France of opera and opéra-comique, which in Jules Massenet’s time also extended to oratorio and the mélodie. Eager to explore areas other than the stage, his generation took to the concert hall and the salon with the same dedication and a desire to achieve nobility of style in every genre.

English

L’art de l’écriture vocale est le point d’horizon de l’enseignement musical français : toute l’organisation des études du Conservatoire de Paris mène vers cette ultime étape du savoir théorique et c’est à la lumière de sa maîtrise – cantate à l’appui – que l’on évalue les jeunes artistes dignes d’être désignés Prix de Rome. Si cette prévalence du lyrique s’explique par l’importance que l’on accorde en France à l’opéra et à l’opéra-comique, elle bénéficie aussi, à l’époque de Jules Massenet, à l’oratorio et à la mélodie. Curieux d’explorer d’autres contrées que les seules planches des théâtres, sa génération investit le concert et les salons avec un même sérieux et une volonté d’atteindre, dans tous les genres, une noblesse de style.

français

L’arte della scrittura vocale è l’orizzonte ultimo dell’insegnamento musicale francese: l’intera organizzazione degli studi al Conservatorio di Parigi porta verso quest’ultima tappa del sapere teorico e infatti i giovani concorrenti per il prix de Rome vengono valutati sulla base di una cantata, che deve dimostrare la loro padronanza di tale scrittura. Questa prevalenza dell’elemento lirico si spiega con l’importanza che l’opera e l’opéra-comique hanno in Francia, ma giova anche, all’epoca di Massenet, ai generi dell’oratorio e della mélodie. La sua generazione, curiosa di esplorare altri ambiti oltre a quello del palcoscenico, produce con la stessa serietà d’impegno anche per le sale da concerto e per i salotti, con la volontà di raggiungere una certa nobiltà di stile in tutti i generi.

italiano

From Salon to the Stage by Various, съб 01 окт 2022, от (2022/2022), Scuola Grande di San Giovanni Evangelista, Venice, Italy

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