Name: Götterdämmerung
Start: 2023-11-05T00:00:00.000Z
End: 2024-05-26T00:00:00.000Z
Location: Opernhaus

Organization

Opernhaus Zürich

Dramaturge

Werner Hintze

Beate Breidenbach

Singer

Baritone

Christopher Purves

Alberich

Soprano

Camilla Nylund

Brünnhilde

Lauren Fagan

Gutrune

Contralto

Freya Apffelstaedt

First Norn

Giselle Allen

Third Norn

Uliana Alexyuk

Woglinde

Mezzo-soprano

Niamh O'Sullivan

Wellgunde

Siena Licht Miller

Flosshilde

Sarah Ferede

Waltraute

Lena Sutor-Wernich

Second Norn

Other

Bass-baritone

Wolfram Schneider-Lastin

Wotan

Equipment

Christian Schmidt

Stage director

Andreas Homoki

Conductor

Gianandrea Noseda

Lighting designer

Franck Evin

Set designer

Florian Schaaf

Video designer

Tieni Burkhalter

Chorus master

Ernst Raffelsberger

Tenor

Klaus Florian Vogt

Siegfried

Daniel Schmutzhard

Gunther

Bass

David Leigh

Hagen

Orchestra

Philharmonia Zürich

Others

Chor der Oper Zürich

독일어

Götterdämmerung -  (The Twilight of the Gods)

Zurich

Switzerland

Opernhaus

Götterdämmerung Wagner,Richard

Public

The Twilight of the Gods

영어

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Costume designer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Götterdämmerung Wagner, Richard

Als «schlicht und ergreifend überwältigend» und «ein Ereignis ersten Ranges» lobt der SWR unsere Neuproduktion von Wagners «Götterdämmerung», die am vergange...

Twilight of the Gods
At the end of the second day of Richard Wagner's world-spanning stage festival, Siegfried and Brünnhilde had jubilantly sung their love, and for a moment it seemed as if the utopia of a world completely determined by love and free of power struggles could become reality. But already at the beginning of the third and last day, the Norns announce: «Eternal knowledge is at an end» – the terrible end is near. Siegfried will soon leave Brünnhilde, whom he loves after all, to set out on new deeds; he will meet Hagen, the hate-filled nightmare Alberich's son, who uses him for his cynical plans for domination. Using Siegfried is easy, because Siegfried knows nothing of the power of the ring, which he had given to Brünnhilde as a token of love. Hagen, on the other hand, is in possession of this knowledge; Driven by the greed for power and dominance, he spins his intrigues almost unhindered. But not only Siegfried falls victim to Hagen. Brünnhilde also has to endure terrible betrayal and experiences terrible humiliation and boundless pain. Siegfried's death finally leads to the downfall of the old world - the curse of the ring has lost none of its power: when she understands the full extent of the deceit, Brünnhilde gives the ring back to the Rhinemaidens and chooses death for herself. The gods perish, nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, the Brünnhilde also has to endure terrible betrayal and experiences terrible humiliation and boundless pain. Siegfried's death finally leads to the downfall of the old world - the curse of the ring has lost none of its power: when she understands the full extent of the deceit, Brünnhilde gives the ring back to the Rhinemaidens and chooses death for herself. The gods perish, nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, the Brünnhilde also has to endure terrible betrayal and experiences terrible humiliation and boundless pain. Siegfried's death finally leads to the downfall of the old world - the curse of the ring has lost none of its power: when she understands the full extent of the deceit, Brünnhilde gives the ring back to the Rhinemaidens and chooses death for herself. The gods perish, nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, the nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, the nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, theGötterdämmerung again the so-called salvation motif with which Brünnhilde had announced her son Siegfried in Die Walküre Sieglinde.
In 1849, under the impression of the revolution, Richard Wagner had begun the text and composition of the Ring des Nibelungen in Zurich; 26 years later and after a 12-year break in the middle of Siegfried , he was finally able to complete his main work and premiere it at the newly founded Bayreuth Festival. At the opera house, director and director Andreas Homoki and general music director Gianandrea Noseda are now bringing their Zürcher Ring to a close with the premiere of Götterdämmerung . Camilla Nylund and Klaus Florian Vogt are also in theGötterdämmerung as Siegfried and Brünnhilde, making important role debuts again in Zurich.

English

Twilight of the Gods
Am Ende des zweiten Tages von Richard Wagners weltumspannendem Bühnenfestspiel hatten Siegfried und Brünnhilde jubelnd ihre Liebe besungen, und für einen Moment schien es, als könne die Utopie einer ganz von Liebe bestimmten, von Machtkämpfen freien Welt Wirklichkeit werden. Doch schon zu Beginn des dritten und letzten Tags kündigen die Nornen es an: «Zu End’ ist ewiges Wissen» – das schreckliche Ende naht. Siegfried wird Brünnhilde, die er doch liebt, schon bald verlassen, um zu neuen Taten aufzubrechen; er wird auf Hagen treffen, des hasserfüllten Nachtalben Alberichs Sohn, der ihn für seine zynischen Herrschaftspläne benutzt. Siegfried zu benutzen, ist ein leichtes, denn Siegfried weiss nichts von der Macht des Rings, den er Brünnhilde als Liebespfand überlassen hatte. Hagen dagegen ist im Besitz dieses Wissens; von der Gier nach Macht und Herrschaft getrieben, spinnt er fast ungehindert seine Intrigen. Aber nicht nur Siegfried wird Hagens Opfer. Auch Brünnhilde muss schrecklichen Verrat erdulden und erlebt furchtbare Erniedrigung und grenzenlosen Schmerz. Siegfrieds Tod führt schliesslich zum Untergang der alten Welt – der Fluch des Rings hat nichts von seiner Kraft eingebüsst: Als sie das ganze Ausmass des Betrugs begreift, gibt Brünnhilde den Rheintöchtern den Ring zurück und wählt für sich selbst den Tod. Die Götter gehen unter, die Natur holt sich zurück, was ihr gehört. Doch neben Zerstörung und Untergang ist auch Platz für Hoffnung: Erstmals erklingt am Schluss der Götterdämmerung das sogenannte Erlösungsmotiv wieder, mit dem Brünnhilde in der Walküre Sieglinde ihren Sohn Siegfried angekündigt hatte.
1849 hatte Richard Wagner unter dem Eindruck der Revolution mit Text und Komposition des Ring des Nibelungen in Zürich begonnen; 26 Jahre später und nach einer 12-jährigen Unterbrechung mitten im Siegfried konnte er sein Hauptwerk endlich vollenden und bei den neugegründeten Bayreuther Festspielen uraufführen. Am Opernhaus bringen Intendant und Regisseur Andreas Homoki und Generalmusikdirektor Gianandrea Noseda nun mit der Premiere der Götterdämmerung ihren Zürcher Ring zum Abschluss. Camilla Nylund und Klaus Florian Vogt sind auch in der Götterdämmerung als Siegfried und Brünnhilde zu sehen und geben damit erneut in Zürich wichtige Rollendebüts.

Deutsch

The Twilight of the Gods by Wagner, Richard, 토 18 11월 2023, 에서 (2023/2024), 감독 Andreas Homoki,, 지휘자 Gianandrea Noseda, Opernhaus, Zurich, Switzerland

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