Name: Gräfin Mariza
Start: 2021-12-14T00:00:00.000Z
End: 2022-06-22T00:00:00.000Z
Location: Štátna Opera

Organization

Śpiewak

Tenor

Dušan Šimo

Endrődy-Wittenburg Tasziló gróf

Sopran

Katarína Procházková

Marica grófnő

Baryton

Matúš Bujňák

Populescu Dragomir Móric herceg

Martin Popovič

Báró Zsupán Kálmán

Oľga Bezačinská

Lisa

Karol Kurtulík

Liebenberg Károly István

Spoken

Marián Hadraba

Kudelka (Penižek)

Lenka Rúriková

Ilka von Dambössy

Judita Andelová

Eržika

Igor Kúchen

Czech

Slavomíra Kaprálová

2  Ladies

Oľga Hromadová

Princess Rosenthal

Reżyseria

Tomáš Pilař

Dyrygent

Igor Bulla

Kostiumy

Aleš Valášek

Scenografia

Choreografia

Michal Majer

Dramaturgia

Alžbeta Lukáčová

Przygotowanie chóru

Iveta Popovičová

Music study

Marián Vach

Text editing

Concertmaster

Oldrich Husak

Anton Baculík

Carmen Ferenceiová

Štefan Šafárik

Tłumaczenie

Ladislav Holoubek

Peter Malý

Ivana Kurtulíková

Gabriel Sárossy

Darina Benčová

Ilonka

State Opera Banská Bystrica

Orchestra

Orchestra of the State Opera Banská Bystrica

Others

State Opera Chorus

State Opera Orchestra

Choir of the State Opera Banská Bystrica

State Opera Choir, Ballet and Orchestra

słowacki

Gräfin Mariza -  (Hrabina Marica)

Bańska Bystrzyca

Słowacja

Štátna Opera

Gräfin Mariza Kálmán,E

Public

Hrabina Marica

Approved

Emmerich Kálmán spolu s Lehárom a Straussom patrí k najvýraznejším predstaviteľom viedenskej operety, s ktorou sa spájajú i jeho najslávnejšie diela: Čardášo...

Emmerich Kálmán, together with Lehár and Strauss, is one of the most prominent representatives of the Viennese operetta, which is associated with his most famous works: Princess Čardášová (1915), Countess Marica (1924) and Circus Princess (1926).  The strength of Kálmán's

Emmerich Kálmán - Grófka Marica (State Opera in Banská Bystrica)

Emmerich Kálmán, together with Lehár and Strauss, is one of the most prominent representatives of the Viennese operetta, which is associated with his most famous works: The Gypsy Princess (1915), Countess Maritza (1924) or The Circus Princess (1926). The strength of Kálmán's compositions lay mainly in the ability to adapt a folk element to the environment of the operetta, especially in the form of a csárdás. It was this dance that perfectly suited the operetta and became Kálmán's specialty. At the same time, he was able to expand his means of expression with elements of exoticism (popular not only in the operetta genre) or jazz. Countess Maritza is associated with the later period of Kálmán's works. It was given the adjective "most Hungarian operetta" and is one of the last great classical works of its genre. Its plot takes us to the Hungarian estate of the 20th century where beautiful and rich Countess Maritza lives. It is here that the impoverished Count Tassilo lets himself to be hired incognito as an administrator. He wants to make money for his sister's dowry. As usually, love ignites among young people, but it is complicated by several misunderstandings and mishaps, but in the end the story ends happily. In the Theatre an der Wien, where it premiered, people went crazy: every single musical number of the work became a hit.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble