Name: Grigory Sokolov
Start: 2024-02-18T00:00:00.000Z
End: 2024-02-18T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Teatro Maestranza

Instrumentalist

Grigory Sokolov

Keyboard

Harpsichord

Pianist

Piano

Seville

Spain

Teatro de la Maestranza

Sala Principal

Grigory Sokolov: Recital Various

Public

Recital

Concert

4 Duettos, BWV 802-805

Partita in C minor, BWV 826

Mazurkas, Op.30

Mazurkas, op. 50

Waldszenen, op. 82

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Contralto

Mezzo-soprano

Bass-baritone

Baritone

Tenor

Bass

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

#Sokolov #sevilla #piano Fecha: 18 de febrero, 19h. www.teatrodelamaestranza.esHay prodigiosos virtuosos del piano. Hay concertistas emocionantes. Y luego es...

Grigory Sokolov: 4 Duettos, BWV 802-805 Bach, J. S. (+4 More)

La experiencia Sokolov

Hay prodigiosos virtuosos del piano. Hay concertistas emocionantes. Y luego está… Sokolov: carismático, colosal, magnético. Crecido frente a un teclado, el ruso Grigory Sokolov asombró al jurado del Concurso Internacional Chaikovski de 1966 ganando el primer premio. Tenía 16 años y su primer partidario, como presidente de aquel jurado, fue nada más y nada menos que otra leyenda del pianismo ruso: Emil Gilels.

Sokolov solo interpreta la música que ama, siempre en vivo y rara vez en estudio. No suele anticiparla con demasiada antelación a los teatros y auditorios que lo contratan, de modo que sus espectadores suelen adquirir los tickets de sus conciertos como quien se aventura a una cita a ciegas, lo que convierte a sus recitales en un encuentro tan entregado y expectante que roza, musicalmente, la mística. A partir de su portentosa precisión técnica, Sokolov extrae una dimensión espiritual y sonora inédita en recitales a los que se entrega con una devoción sorprendente alargándolos con la generosidad de regalarnos media docena de propinas. Su teclado, más que sobriamente perfecto, vibra de una forma sorprendentemente orgánica, celular, y nunca tan robusta como para que no percibamos el fluir de las notas y los intersticios de silencio que se ocultan tras ellas. Su “sacerdotal” entrega a la música, su negativa a entrar en estudios de grabación, su rechazo a conceder entrevistas -hasta el punto de que en un documental sobre su figura, elocuentemente titulado Sokolov, una entrevista imaginaria, el protagonista del filme no realiza declaración alguna, lo han convertido en una figura extravagante.

El pianista más codiciado de la escena vuelve a Sevilla. Aunque ya lo hayan visto, ustedes saben que un concierto de Grigory Sokolov nunca se parece a otro, aunque solo sea porque la tanda de generosas propinas que suele regalar constituyen una especie de imprevisible concierto extra. Pocos músicos comparten en escena semejante amor y pasión por la música. Déjese invadir por ella.

español

The Sokolov experience

There are prodigious piano virtuosos. There are exciting soloists. And then there's… Sokolov: charismatic, colossal, magnetic. Grown up in front of a keyboard, the Russian Grigory Sokolov astonished the jury of the 1966 International Tchaikovsky Competition by winning first prize. He was 16 years old and his first supporter, as president of that jury, was nothing more and nothing less than another legend of Russian pianism: Emil Gilels.

Sokolov only performs the music he loves, always live and rarely in the studio. He does not usually anticipate it too far in advance to the theaters and auditoriums that hire him, so that his spectators usually buy the tickets for his concerts like someone who ventures on a blind date, which makes his recitals such a dedicated and expectant encounter. that touches, musically, mysticism. From his prodigious technical precision, Sokolov extracts an unprecedented spiritual and sound dimension in recitals to which he gives himself with surprising devotion, extending them with the generosity of giving us half a dozen tips. His keyboard, more than soberly perfect, vibrates in a surprisingly organic, cellular, and never so robust that we do not perceive the flow of the notes and the interstices of silence that are hidden behind them. His "priestly" dedication to music, his refusal to enter recording studios, his refusal to grant interviews -to the point that in a documentary about him, eloquently titled Sokolov, an imaginary interview, the protagonist of the film does not carry out any statement, they have turned him into an extravagant figure.

The most coveted pianist on the scene returns to Seville. Even if you've already seen it, you know that one Grigory Sokolov concert is never like another, if only because the batch of generous tips he usually gives out constitutes a kind of unpredictable bonus concert. Few musicians share such a love and passion for music on stage. Let yourself be invaded by it.

English

Grigory Sokolov by Bach, J. S., Chopin, Schumann, ig. 18 ots. 2024, Noiztik (2024/2024), Teatro de la Maestranza, Seville, Spain

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