Admin

The Metropolitan Opera

Washington National Opera

Reżyseria

Michael Mayer

Scenografia

Scenografia (+1)

Mimi Lien

Kostiumy

Tom Broecker

Reżyseria światła

Kevin Adams

Wideo

Scenografia (+2)

Jason H Thompson

Kaitlyn Pietras

Realizacja dźwięku

Palmer Hefferan

Choreograf

Choreograf (+2)

David Neumann

Dramaturgia

Paul Cremo

Mezzosopran (+3)

Emily D'Angelo

Jess

Tenor (+2)

Ben Bliss

Eric

Baryton (+3)

Kyle Miller

Sensor

Orchestra

Metropolitan Opera Orchestra

Bas - baryton (+2)

Greer Grimsley

Commander

Sopran

Ellie Dehn

Also Jess

Metropolitan Opera House

Bas (+3)

Matthew Anchel

Kill Chain: Judge Advocate General

Przygotowanie chóru

Przygotowanie chóru (+2)

Tilman Michael

Tenor

Christopher Bozeka

Kill Chain: Mission Coordinator

Thomas J Capobianco

Kill Chain: Ground Control

Bas - baryton (+3)

Paul Corona

Kill Chain: Joint Terminal Attack Controller

Bas - baryton (+6)

Christopher Job

Kill Chain: Safety Observer

Głos dziecięcy

Lucy LoBue

Timothy Murray

Seatwarmer

Dyrygent

Dyrygent (+3)

Yannick Nézet-Séguin

Dyrygent (+2)

Steven Osgood

Two-time Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded, commissioned by the Met and based on librettist George Brant’s acclaimed play, wrestles with the ethical quandaries and psychological toll of 21st-century warfare. Mezzo-soprano Emily D’Angelo, one of opera’s most compelling young stars, portrays Jess, a hot-shot fighter pilot whose unplanned pregnancy takes her out of the cockpit and lands her in Las Vegas, operating a Reaper drone halfway around the world. As she struggles to adjust to this new way of doing battle, she fights to maintain her sanity, and her soul, as she is called to rain down death by remote control. Met Music Director Yannick Nézet-Séguin oversees the Met premiere of Tesori’s kaleidoscopic score and a cast that also features tenor Ben Bliss as the Wyoming rancher who becomes Jess’s husband. Michael Mayer’s high-tech staging, using a vast array of LED screens, presents a variety of perspectives on the action, including the drone’s predatory view from high above.

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