Name: H-Moll-Messe
Start: 2024-10-10T00:00:00.000Z
End: 2024-10-13T00:00:00.000Z
Location: Philharmonie Berlin

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Freiburger Barockorchester

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Vox Luminis

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Lionel Meunier

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Bass

H-Moll-Messe

Munich

Germany

Philharmonie Berlin

Public

Mass in B minor, BWV 232

Larissa Andrea Pereira

Approved

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In Johann Sebastian Bachs Schaffen gehört die h-Moll-Messe BWV 232 zu den großen Mysterien, über das sich viele Bachforscher noch heute den Kopf zerbrechen. Wieso komponierte der lutherische Bach eine vollständige katholische Messe auf Latein? Was war der Anlass? Wann erfolgte die Uraufführung? All dies sind Fragen, auf die es bis heute keine endgültige Antwort gibt. Über mehrere Jahrzehnte erstreckte sich die Vervollständigung der Messe: 1733 verfasste Bach das Kyrie und das Gloria, 1748/49 folgten die übrigen Teile, wobei Bach auf frühere Kompositionen zurückgriff. Seit dem Jahr 2015 gehört das Manuskript der letzten Fassung zum UNESCO-Weltkulturerbe – eine Auszeichnung, die den epochalen Wert der Messe würdigt.

Deutsch

In Johann Sebastian Bach's work, the B minor Mass BWV 232 is one of the great mysteries that many Bach researchers are still racking their brains about today. Why did the Lutheran Bach compose a complete Catholic mass in Latin? What was the occasion? When did the premiere take place? All of these are questions to which there is still no definitive answer. The completion of the mass took several decades: Bach wrote the Kyrie and the Gloria in 1733, followed by the remaining parts in 1748/49, with Bach drawing on earlier compositions. The manuscript of the final version has been a UNESCO World Heritage Site since 2015 - an award that recognizes the epochal value of the fair.

After Telemann's “Thunder Ode” and Bach's Missa brevis in F major BWV 233 in the last concert season, the Freiburg Baroque Orchestra is now devoting itself to Bach's Monumental Mass, together with the Belgian vocal ensemble Vox Luminis, which is not only known for its outstanding interpretations of Bach's works , but we have had a close musical friendship for seven years now, which the press even called a “happy relationship” – according to the Berliner Tagesspiegel. In fact, both ensembles complement each other not only musically, but also on a personal level, so that making music together becomes an exhilarating experience for the audience.

English

在约翰·塞巴斯蒂安·巴赫的作品中，B小调弥撒 BWV 232 是许多巴赫研究人员至今仍在绞尽脑汁的谜团之一。为什么路德宗的巴赫要用拉丁语创作一部完整的天主教弥撒曲？是什么场合？首映是什么时候举行的？所有这些都是目前还没有明确答案的问题。这部弥撒曲花了几十年的时间才完成：巴赫于 1733 年创作了《凯里》和《荣耀》，随后于 1748/49 年完成了其余部分，其中巴赫借鉴了早期的作品。最终版本的手稿自 2015 年起已被联合国教科文组织列为世界遗产，该奖项认可了博览会的划时代价值。

继上个演出季泰勒曼的《雷霆颂》和巴赫的 F 大调 BWV 233 短弥撒之后，弗莱堡巴洛克乐团现在正与比利时声乐乐团 Vox Luminis 一起致力于巴赫的纪念弥撒，该乐团不仅以其出色的演奏而闻名。我们对巴赫作品的出色诠释，但我们已经建立了七年密切的音乐友谊，媒体甚至将其描述为“幸福的关系”——据柏林日报报道。事实上，两个乐团不仅在音乐上互补，而且在个人层面上也相得益彰，因此共同创作音乐对观众来说是一种令人兴奋的体验。

中文

H-Moll-Messe by Bach, J. S., Κυρ 13 Οκτ 2024, Aπό (2024/2024), αγωγός Lionel Meunier, Philharmonie Berlin, Munich, Germany

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